Hybrid Theory - Reception

Reception

Professional ratings
Review scores
Source Rating
Allmusic
Jam! favorable
Melody Maker
NME 6/10
PopMatters favorable
Q
Robert Christgau
Rolling Stone
Sputnikmusic 3.0/5
Stylus Magazine mixed

Hybrid Theory received mixed reviews from critics. Stephanie Dickison of PopMatters commented that the band was a "far more complex and talented group than the hard rock boy bands of late", and claimed that "they will continue to fascinate and challenge music's standard sounds." Q magazine gave Hybrid Theory four out of five stars. Robert Christgau of The Village Voice wrote that “the men don't know what the angry boys understand”, and gave the album a "two-star honorable mention rating", citing "Papercut" and "Points of Authority" as highlights of the album. Jenny Eliscu of Rolling Stone commented that Hybrid Theory had "as much potency as albums by Limp Bizkit or Korn" and called it an album that "reflects the frustration of life".

Rolling Stone's review of the album gave it two and a half stars. Allmusic writer William Ruhlmann said that "Linkin Park sounds like a Johnny-come-lately to an already overdone musical style" and called "One Step Closer" "a typical effort", referring to the lyrics of the song's chorus. NME's Noel Gardner commented that "otherwise damn fine soaring emo-crunchers like 'With You' and 'A Place for My Head' are pointlessly jazzed up with tokenistic scratching," giving the album a score of six out of ten.

Later in 2002, Linkin Park released an album entitled Reanimation. It included the songs of Hybrid Theory remixed and reinterpreted by nu metal and underground hip hop artists. Contributors to the album included Black Thought, Pharoahe Monch, Jonathan Davis, Stephen Carpenter, and Aaron Lewis. The sound of later Linkin Park albums would involve experimentation with classical instruments such as strings and piano, both of which, along with the same elements of electronica from Hybrid Theory, are prominently included in the band's second studio album Meteora. As Shinoda explains the difference in the sound between Hybrid Theory and Meteora: "That electronic element has always been there in the band – it's just that sometimes we bring it closer to the front."

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