Hunger Artists Theatre Company
The Hunger Artists Theatre Company is an alternative theatre company located in a business park in Fullerton, California. They are known for presenting challenging, thought-provoking plays musicals, world premiere pieces, and re-imaginings of classic plays.
The Hunger Artists Theatre Company founded in 1996 by a group of longtime friends is the first Orange County-based alternative theater to grow out of Orange Coast College's Repertory Theater.
Named after a short story by Franz Kafka, the company received its start with a Halloween show titled Madame Guignol's Macabre Theatre. The show became a Halloween tradition and was presented each Halloween for ten years before retiring in 2005.
Since then, the Hunger Artists have received numerous acclaim and awards for contemporary plays such as "Bash: Latter-Day Plays", "4.48 Psychosis" and "The Gog/Magog Project", world premieres such as "The Land Southward", "The Flying Spaghetti Monster Holiday Pageant" and "The Pledge Drive: Ruminations On The Hunger Artist", world premiere adaptations of literary works such as "The Metamorphosis", "Little Women" and "Rudyard Kipling's Jungle Book", reworkings of classic plays such as "White Trash Private Lives", "Re: Woyzeck" and an all-male "The Importance of Being Earnest", musicals such as "Sweeney Todd", "Assassins" and "Hedwig and the Angry Inch", one-act festivals such as Beyond Convention, 24 Hour Theater and Last Chance Fest, and original late-night entertainment such as the Orange County Underground Burlesque Society and Muddville.
Read more about Hunger Artists Theatre Company: Production History
Famous quotes containing the words hunger, artists, theatre and/or company:
“All men are lonely. But sometimes it seems to me that we Americans are the loneliest of all. Our hunger for foreign places and new ways has been with us almost like a national disease. Our literature is stamped with a quality of longing and unrest, and our writers have been great wanderers.”
—Carson McCullers (1917–1967)
“... artists were intended to be an ornament to society. As a society in themselves they are unthinkable.”
—Elizabeth Bowen (1899–1973)
“The theatre is a gross art, built in sweeps and over-emphasis. Compromise is its second name.”
—Enid Bagnold (1889–1981)
““In your company a man could die,” I said, “a man could die and you wouldn’t even notice, there’s no trace of friendship, a man could die in your company.””
—Max Frisch (1911–1991)