Hunerkada College of Visual and Performing Arts

Hunerkada College of Visual and Performing Arts is located in Islamabad, Pakistan. This college was established by Artist Association of Pakistan as a Fine Arts college.

The college was founded in 1992 as a non-government and not-for-profit organization with a commitment to promote Visual and Performing Arts. It was established by a well known Pakistani Artist Jamal Shah with a vision to share his skills and knowledge about visual & performing arts to the generations. Currently, its campuses are located in Islamabad and Lahore.

It offers a four-year Degree program in Fine Arts and Design in affiliation with the University of Balochistan. It also has a masters program in process with the said university. It has a branch in Lahore as part of its policy of establishing branches in all major cities.

The college offers different courses and programs in Painting, Drawing, Sculpturing, Print Making, Photography, Film Making, Music, and Dance.

Famous quotes containing the words performing arts, college, visual, performing and/or arts:

    More than in any other performing arts the lack of respect for acting seems to spring from the fact that every layman considers himself a valid critic.
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    I tell you, you’re ruining that boy. You’re ruining him. Why can’t you do as much for me?
    S.J. Perelman, U.S. screenwriter, Bert Kalmar, Harry Ruby, and Norman Z. McLeod. Groucho Marx, Horsefeathers, a wisecrack made as Huxley College president to Connie, the college widow (Thelma Todd)

    To write well, to have style ... is to paint. The master faculty of style is therefore the visual memory. If a writer does not see what he describes—countrysides and figures, movements and gestures—how could he have a style, that is originality?
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    Bottom. What is Pyramus? A lover or a tyrant?
    Quince. A lover that kills himself, most gallant, for love.
    Bottom. That will ask some tears in the true performing of it. If I do it, let the audience look to their eyes.
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    Women hock their jewels and their husbands’ insurance policies to acquire an unaccustomed shade in hair or crêpe de chine. Why then is it that when anyone commits anything novel in the arts he should be always greeted by this same peevish howl of pain and surprise? One is led to suspect that the interest people show in these much talked of commodities, painting, music, and writing, cannot be very deep or very genuine when they so wince under an unexpected impact.
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