Huichol People - Art

Art

In traditional Huichol communities, an important ritual artifact is the nieli'ka: a small square or round tablet with a hole in the center covered on one or both sides with a mixture of beeswax and pine resin into which threads of yarn are pressed. Nieli'kas are found in most Huichol sacred places such as house shrines (xiriki), temples, springs and caves.

In the past thirty years, about four thousand Huichols have migrated to cities, primarily Tepic, Nayarit, Guadalajara and Mexico City. It is these urbanized Huichols who have drawn attention to their rich culture through their art. To preserve their ancient beliefs they have begun making detailed and elaborate yarn paintings, a development and modernization of the nieli'ka.

For the Huichol however, yarn painting is not only an aesthetic or commercial artform. The symbols in these paintings are sprung out of Huichol culture and its shamanistic traditions. From the small beaded eggs and jaguar heads to the modern detailed yarn paintings in psychedelic colors, each is related to a part of Huichol tradition and belief.

The first large yarn paintings were exhibited in Guadalajara in 1962 which were simple and traditional. At present with the availability of a larger spectrum of commercial dyed and synthetic yarn, more finely spun yarn paintings have evolved into high quality works of art.

The beaded art is a relatively new innovation and is constructed using glass, plastic or metal beads pressed onto a wooden form covered in beeswax. Common bead art forms include masks, bowls and figurines. Like all Huichol art, the bead work depicts the prominent patterns and symbols featured in the Huichol religion.

Some Huichol shaman-artists have acquired some fame and commercial success: the acclaimed Huichol yarn painter José Benítez Sánchez has had an exposition of his works in the USA.