Hugh Paddick - Theatre

Theatre

  • Noah (1937) Embassy School of Acting
  • There's Always Tomorrow (1949) New Wimbledon Theatre
  • The Thunderbolt (1952) Liverpool Playhouse
  • The Two Bouquets (1953) St Martin's Theatre
  • The Boy Friend (1953) Embassy Theatre, (1954) Wyndham's Theatre
  • The Impressario From Smyrna (1954) Arts Theatre
  • For Amusement Only (1956) Apollo Theatre
  • She Smiled At Me (1956) Connaught Theatre
  • For Adults Only (1958) various theatres
  • My Fair Lady (1959–1961) Theatre Royal, Drury Lane
  • See You Inside (1963) Duchess Theatre
  • Let's Get A Divorce! (1966–1967) Mermaid Theatre
  • The Madwoman of Chaillot (1967) Oxford Playhouse
  • They Don't Grow on Trees (1968) Prince of Wales Theatre
  • When We Are Married (1971) Strand Theatre
  • Cinderella (1974) Casino Theatre
  • Play by Play (1975) The King's Head Theatre, Islington
  • Beauty and the Beast (1975) Oxford Playhouse
  • Some of My Best Friends are Husbands (1976) Mermaid Theatre, (1983) Watford Palace
  • Out on a Limb (1976) Vaudeville Theatre
  • Volpone (1977) Royal National Theatre
  • Half Life (1977–1978) Duke of York's Theatre
  • Gigi (1980) Haymarket Theatre (Leicester)
  • Soldier's Fortune (1981) Lyric Hammersmith
  • Venice Preserv'd (1984) Lyttelton Theatre
  • Wild Honey (1984) Lyttelton Theatre
  • Noises Off (1985) Savoy Theatre

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Famous quotes containing the word theatre:

    “The History of the world is not the theatre of happiness. Periods of happiness are blank pages in it, for they are periods of harmony—periods when the antithesis is in abeyance.”
    —Georg Wilhelm Friedrich Hegel (1770–1831)

    “Compare ... the cinema with theatre. Both are dramatic arts. Theatre brings actors before a public and every night during the season they re-enact the same drama. Deep in the nature of theatre is a sense of ritual. The cinema, by contrast, transports its audience individually, singly, out of the theatre towards the unknown.”
    —John Berger (b. 1926)

    “The theatre is a gross art, built in sweeps and over-emphasis. Compromise is its second name.”
    —Enid Bagnold (1889–1981)