Howl at The Moon Piano Bar

Howl at the Moon is a franchise of dueling piano bars As of January 2012, Howl at the Moon Dueling Piano Bars were located in or were being constructed in:

  • Howl at the Moon Dueling Piano Bar Hollywood
  • Howl at the Moon Dueling Piano Bar Destin
  • Howl at the Moon Dueling Piano Bar Orlando, FL
  • Howl at the Moon Dueling Piano Bar Tampa, FL
  • Howl at the Moon Dueling Piano Bar Indianapolis, IN
  • Howl at the Moon Dueling Piano Bar Chicago, IL
  • Howl at the Moon Dueling Piano Bar Baltimore, MD
  • Howl at the Moon Dueling Piano Bar Charlotte, NC
  • Howl at the Moon Dueling Piano Bar Minneapolis, MN
  • Howl at the Moon Dueling Piano Bar San Antonio, TX
  • Howl at the Moon Dueling Piano Bar Louisville, KY
  • Howl at the Moon Dueling Piano Bar Kansas City, MO
  • Howl at the Moon Dueling Piano Bar Houston, TX
  • Howl at the Moon Dueling Piano Bar New Orleans, LA
  • Howl at the Moon Dueling Piano Bar Boston, MA

The following cities were former sites of HATM:

  • Seattle, Washington
  • Columbus, Ohio
  • Ft. Lauderdale, Florida
  • Coconut Grove, Florida
  • Scottsdale, Arizona
  • Singapore
  • Cleveland

The theme driving Howl at the Moon is audience participation. Piano players take requests for songs and the audience sings along. Special contests for Armed Forces fight songs, college fight songs, country vs. rap and so on are popular. "The World's Most Dangerous Wait Staff" serves the crowd drinks and occasionally does a dance number.

Nightclub and Bar Magazine named Howl at the Moon Dueling Piano Bar as one of its 100 best of 2005.

The first HATM opened in Cincinnati, Ohio, in 1990.

Famous quotes containing the words howl, moon, piano and/or bar:

    Who lives among wolves has to howl with them.
    —Estonian. Trans. by Ilse Lehiste (1993)

    Would you hear of an old-time sea-fight?
    Would you learn who won by the light of the moon and stars?
    List to the yarn, as my grandmother’s father the sailor told it to
    me.
    Walt Whitman (1819–1892)

    Film music should have the same relationship to the film drama that somebody’s piano playing in my living room has to the book I am reading.
    Igor Stravinsky (1882–1971)

    Even the most incompetent English actor, coming on the stage briefly to announce the presence below of Lord and Lady Ditherege, gives forth a sound so soft and dulcet as almost to be a bar of music. But sometimes that is all there is. The words are lost in the graceful sweep of the notes.
    Robert Benchley (1889–1945)