Building
The Riddarhuset is also the name of the building maintained by the corporation in Stockholm old town. The French-born architect Simon De la Vallée started the planning of the building, but was killed by a Swedish nobleman in 1642. The plans were eventually finished by his son, Jean De la Vallée, in 1660.
In the 18th century, the building was often used for public concerts. From 1731, public concerts were performed here by Kungliga Hovkapellet. Elisabeth Olin is believed to have debuted here in the 1750s, and foreign artists performed such as Elisabetta Almerighi, Giovanni Ansani (1772) and Rosa Scarlatti.
The south end of the building carries the Latin inscription, after the clear example of the forefathers, and holds a statue of Gustav II Adolph. North of the building is a park in which is a statue of Axel Oxenstierna.
The architecture of the old main library in Turku, Finland was influenced by the Swedish House of Nobility.
Read more about this topic: House Of Nobility (Sweden)
Famous quotes containing the word building:
“A building is akin to dogma; it is insolent, like dogma. Whether or no it is permanent, it claims permanence, like a dogma. People ask why we have no typical architecture of the modern world, like impressionism in painting. Surely it is obviously because we have not enough dogmas; we cannot bear to see anything in the sky that is solid and enduring, anything in the sky that does not change like the clouds of the sky.”
—Gilbert Keith Chesterton (1874–1936)
“We have our little theory on all human and divine things. Poetry, the workings of genius itself, which, in all times, with one or another meaning, has been called Inspiration, and held to be mysterious and inscrutable, is no longer without its scientific exposition. The building of the lofty rhyme is like any other masonry or bricklaying: we have theories of its rise, height, decline and fall—which latter, it would seem, is now near, among all people.”
—Thomas Carlyle (1795–1881)
“The Times are the masquerade of the eternities; trivial to the dull, tokens of noble and majestic agents to the wise; the receptacle in which the Past leaves its history; the quarry out of which the genius of today is building up the Future.”
—Ralph Waldo Emerson (1803–1882)