Plot
Seeking a legendary fortune in jewels, troublesome Collins family handyman Willie Loomis opens a hidden coffin in the Collins family crypt, releasing vampire Barnabas Collins from his 150-year confinement. Barnabas makes Willie his slave, then presents himself to the modern day Collins family (Roger, Elizabeth, Carolyn, and David) as a "cousin from England." Barnabas moves into the "Old House" on the Collins estate, where the "first" Barnabas had lived. To thank his gracious hosts, Barnabas throws an elaborate costume ball.
Barnabas becomes attracted to the family governess Maggie Evans, who looks just like his long-lost love, Josette. When Carolyn, who has become one of the vampire's victims, threatens to reveal his secret out of jealousy, Barnabas kills her. Carolyn rises from the grave as one of the undead, and seeks out her former lover, Todd Jennings. Professor T. Eliot Stokes uses the young man as bait for Carolyn, who is eventually trapped and staked by Stokes, aided by the Collinsport police.
Meanwhile, a doctor, Julia Hoffman, has studied blood samples from the victims and begins to conclude that vampirism is real and that it may be a curable disease. She has accidentally discovered, while using a compact mirror, that Barnabas is the vampire. She makes a pact with Barnabas and develops a serum to cure him.
The cure works for a while, and Barnabas's courtship of Maggie proceeds. He gets her boyfriend, artist Jeff Clark, out of the way by arranging a showing of the young man's paintings in nearby Boston. However, Julia, who has fallen in love with Barnabas, discovers his dalliance with Maggie. Insanely jealous, Julia gives Barnabas an overdose of the serum, with the result that he ages to his true 175 years. Barnabas angrily kills Julia, and restores his youth (and vampiric nature) by biting Maggie. He flees with the young woman. Stokes and Roger Collins quickly research the family history of Barnabas in 1797, and Stokes is convinced that Barnabas intends to take Maggie as his bride.
The search extends to St. Eustace, an island off the shore of Maine. Jeff discovers that both Stokes and Roger Collins have become vampires, and he has to destroy them both—Stokes with the silver bullets intended for Barnabas, and an arrow through the heart for Roger.
Jeff tracks the vampire to an abandoned monastery, where Barnabas is planning to make Maggie his bride. Jeff attempts to shoot Barnabas with a crossbow, but Willie, who is also infatuated with Maggie, rushes over to the altar to stop Barnabas. The arrow that Jeff aims at the obsessed vampire hits Willie in the back. Barnabas pulls the crossbow bolt from Willie's back, then Barnabas takes Jeff under his hypnotic control, simultaneously dropping the crossbow bolt to the floor, next to Willie. As Barnabas is about to vampirize Maggie, Willie revives and plunges the wooden bolt into Barnabas's back; the vampire spins to see Willie, and in a rage, strangles the dying Loomis. Wounded, Barnabas' hypnotic control is broken, which allows Jeff to finish off Barnabas with the stake, which bursts through the vampire's chest, bringing an end to the undead existence of Barnabas Collins. With Barnabas' death, Maggie is no longer in a trance, and recognizes Jeff, who carries her in his arms, both briefly observing the bodies of Barnabas and Willie, before leaving the monastery.
After the end credits roll, the seemingly dead Barnabas turns into a large bat and flies away, but this death-defying feat (since he was killed in the traditional manner only minutes before) goes unexplained.
Read more about this topic: House Of Dark Shadows
Famous quotes containing the word plot:
““The plot thickens,” he said, as I entered.”
—Sir Arthur Conan Doyle (1859–1930)
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)
“We have defined a story as a narrative of events arranged in their time-sequence. A plot is also a narrative of events, the emphasis falling on causality. “The king died and then the queen died” is a story. “The king died, and then the queen died of grief” is a plot. The time sequence is preserved, but the sense of causality overshadows it.”
—E.M. (Edward Morgan)