Plot
Corporate informs Michael (Steve Carell) that an incentive program has been set up where the top Dunder Mifflin sales representative will be rewarded with a prize of up to $1000. As Michael decides on choosing that prize, Katy (Amy Adams), a pretty young purse saleswoman, comes into the office to sell her wares. When Michael sees her, he offers to let her set up shop in the conference room, which catches every male's eye. As he shows her around the office, Michael tries to impress her while doing his best to impede the chances of any other office male. Roy mentions that he would go for her if he weren't "dating Pam" (Jenna Fischer), and an angry Pam corrects him that they're engaged.
Jim (John Krasinski) convinces Dwight (Rainn Wilson) that he should approach Katy and if all else fails, he should buy a purse, which he does to Pam and Jim's delight. When Michael hears she'll need a ride home, he does his best to offer himself, going so far as to spend the aforementioned $1000 on an espresso machine to impress her. While Pam is sitting on Jim's desk and talking to him, Roy comes up and tries to apologize to Pam, eventually getting her out of her bad mood by tickling her; an uncomfortable Jim leaves his desk. Later, he strikes up a conversation with Katy and in the end she decides to get a ride from Jim, leaving Michael and Dwight devastated. It is revealed that Katy and Jim are also going out for a drink, to the apparent jealousy of Pam.
Read more about this topic: Hot Girl (The Office)
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“The plot was most interesting. It belonged to no particular age, people, or country, and was perhaps the more delightful on that account, as nobody’s previous information could afford the remotest glimmering of what would ever come of it.”
—Charles Dickens (1812–1870)
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)
“Those blessed structures, plot and rhyme—
why are they no help to me now
I want to make
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—Robert Lowell (1917–1977)