Horse Behavior - Communication

Communication

Horses communicate in various ways, including vocalizations such as nickering, squealing or whinnying; touch, through mutual grooming or nuzzling; smell; and body language. Body language is probably the predominant means of communication. Horses use a combination of ear position, neck and head height, movement, and foot stomping or tail swishing to communicate. Discipline is maintained in a horse herd first through body language and gestures, then, if needed, through physical contact such as biting, kicking, nudging, or other means of forcing a misbehaving herd member to move. In most cases, the animal that successfully causes another to move is dominant, whether it uses only body language or adds physical reinforcement.

Horses can interpret the body language of other creatures, including humans, whom they view as predators. If socialized to human contact, horses usually respond to humans as a non-threatening predator. Humans do not always understand this, however, and may behave in a way, particularly if using aggressive discipline, that resembles an attacking predator and triggers the horse's fight-or-flight response. On the other hand, some humans exhibit fear of a horse, and a horse may interpret this behavior as human submission to the authority of the horse, placing the human in a subordinate role in the horse's mind. This may lead the horse to behave in a more dominant and aggressive fashion. Human handlers are more successful if they learn to properly interpret a horse's body language and temper their own responses accordingly. Some methods of horse training explicitly instruct horse handlers to behave in ways that the horse will interpret as the behavior of a trusted leader in a herd and thus more willingly comply with commands from a human handler. Other methods encourage operant conditioning to teach the horse to respond in a desired way to human body language, but also teach handlers to recognize the meaning of horse body language.

Horses are not particularly vocal, but do have four basic vocalizations: the neigh or whinny, the nicker, the squeal and the snort. They may also make sighing, grunting or groaning noises at times.

Ear position is often one of the most obvious behaviors that humans notice when interpreting horse body language. In general, a horse will direct the pinna of an ear toward the source of input it is also looking at. Horses have a narrow range of binocular vision, and thus a horse with both ears forward is generally concentrating on something in front of it. Similarly, when a horse turns both ears forward, the degree of tension in the horse's pinna suggests if the animal is calmly attentive to its surroundings or tensely observing a potential danger. However, because horses have strong monocular vision, it is possible for a horse to position one ear forward and one ear back, indicative of similar divided visual attention. This behavior is often observed in horses while working with humans, where they need to simultaneously focus attention on both their handler and their surroundings. A horse may turn the pinna back when also seeing something coming up behind it.

Due to the nature of a horse's vision, head position may indicate where the animal is focusing attention. To focus on a distant object, a horse will raise its head. To focus on an object close by, and especially on the ground, the horse will lower its nose and carry its head in a near-vertical position. Eyes rolled to the point that the white of the eye is visible often indicates fear or anger.

Ear position, head height, and body language may change to reflect emotional status as well. For example, the clearest signal a horse sends is when both ears are flattened tightly back against the head, sometimes with eyes rolled so that the white of the eye shows, often indicative of pain or anger, frequently foreshadowing aggressive behavior that will soon follow. Sometimes ears laid back, especially when accompanied by a strongly swishing tail or stomping or pawing with the feet are signals used by the horse to express discomfort, irritation, impatience, or anxiety. However, horses with ears slightly turned back but in a loose position, may be drowsing, bored, fatigued, or simply relaxed. When a horse raises its head and neck, the animal is alert and often tense. A lowered head and neck may be a sign of relaxation, but depending on other behaviors may also indicate fatigue or illness.

Tail motion may also be a form of communication. Slight tail swishing is often a tool to dislodge biting insects or other skin irritants. However, aggressive tail-swishing may indicate either irritation, pain or anger. The tail tucked tightly against the body may indicate discomfort due to cold or, in some cases, pain. The horse may demonstrate tension or excitement by raising its tail, but also by flaring its nostrils, snorting, and intently focusing its eyes and ears on the source of concern.

The horse does not use its mouth to communicate to the degree that it uses its ears and tail, but a few mouth gestures have meaning beyond that of eating, grooming, or biting at an irritation. Bared teeth, as noted above, are an expression of anger and an imminent attempt to bite. Horses, particularly foals, sometimes indicate appeasement of a more aggressive herd member by extending their necks and clacking their teeth. Horses making a chewing motion with no food in the mouth do so as a soothing mechanism, possibly linked to a release of tension, though some horse trainers view it as an expression of submission. Horses will sometimes extend their upper lip when scratched in a particularly good spot, and if their mouth touches something at the time, their lip and teeth may move in a mutual grooming gesture. A very relaxed or sleeping horse may have a loose lower lip and chin that may extend further out than the upper lip. The curled lip flehmen response, noted above, most often is seen in stallions, but is usually a response to the smell of another horse's urine, and may be exhibited by horses of any sex. Horses also have assorted mouth motions that are a response to a bit or the rider's hands, some indicating relaxation and acceptance, others indicating tension or resistance.

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