Production and Casting
- The play's title is a play on the title of the 1977 Doctor Who serial Horror of Fang Rock.
- Bernard Cribbins plays music-business manager Arnold Korns; he previously appeared as policeman companion Tom in the Peter Cushing 1960s Dalek film Daleks - Invasion Earth 2150 AD. Since recording this episode, he became a recurring character during the fourth series of the television show in the role of Wilfred Mott, the grandfather of companion Donna Noble. Mott later himself became the last companion of the Tenth Doctor in The End of Time.
- The play contains many in-joke references to 1970s rock groups such as The Only Ones and Arnold Corns, and certain songs such as "Tommy, Can You Hear Me?"
- The play includes an original song, Children of Tomorrow, with music by Tim Sutton and lyrics by Barnaby Edwards; it is performed by Stephen Gately and Clare Buckfield. Sutton also arranged a glam rock version of the Doctor Who theme music which is performed over the end credits. Both songs are included as extras on the story's CD release. Later in 2007, the song became downloadable on iTunes.
- Clare Buckfield appears in the Doctor Who adventures Dead London and The One Doctor.
- Una Stubbs appeared alongside Third Doctor actor Jon Pertwee in the 1970s/1980s children's TV series Worzel Gummidge.
Read more about this topic: Horror Of Glam Rock
Famous quotes containing the words production and, production and/or casting:
“Production and consumption are the nipples of modern society. Thus suckled, humanity grows in strength and beauty; rising standard of living, all modern conveniences, distractions of all kinds, culture for all, the comfort of your dreams.”
—Raoul Vaneigem (b. 1934)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. The Limits of the Novel and the Limits of the Film, Novels Into Film, Johns Hopkins Press (1957)
“For the gods, though slow to see, see well, whenever a man casting aside worship turns folly.”
—Sophocles (497406/5 B.C.)