Production
Horror Express was filmed in Madrid between 1971 and 1972, produced on a low budget of $300,000 with the luxury of having three familiar genre actors in the lead. The film was co-produced by American screenwriter/producer Bernard Gordon, who had collaborated with Martin on the 1972 film Pancho Villa (which featured Savalas in the title role). Though it was believed that as Bernard Gordon had acquired the train model used in Nicholas and Alexandra and he commissioned a script for its use, Gordon denied it, saying the model had been constructed for Pancho Villa. Filmmakers used the mock-up from Pancho Villa as the interior for all train cars during production since no further room was available on stage. All scenes within each train car were shot consecutively, the set then modified and shot for the next car.
The film had the train station sequences shot at the 1880 Railway Museum (Madrid) designed by Gustave Eiffel.
Securing Lee and Cushing was a coup for Gordon, since it lent a certain atmosphere reminiscent of Hammer Films, many of which starred both of the actors. However, when Cushing arrived in Madrid to begin work on the picture, he was still distraught over the recent death of his wife, and announced to Gordon that he could not do the film. With Gordon desperate over the idea of losing one of his important stars, Lee stepped in and put Cushing at ease simply by talking to his old friend about some of their previous work together. Cushing changed his mind and stayed on.
Like all the Italian and Spanish films of the period, Horror Express was filmed mostly without sound, with effects and voices dubbed into the film later. Lee, Cushing and Savalas all provided their own voices for the English market.
Read more about this topic: Horror Express
Famous quotes containing the word production:
“The production of obscurity in Paris compares to the production of motor cars in Detroit in the great period of American industry.”
—Ernest Gellner (b. 1925)
“In the production of the necessaries of life Nature is ready enough to assist man.”
—Henry David Thoreau (1817–1862)
“From the war of nature, from famine and death, the most exalted object which we are capable of conceiving, namely, the production of the higher animals, directly follows. There is grandeur in this view of life, with its several powers, having been breathed into a few forms or into one; and that, whilst this planet has gone cycling on according to the fixed law of gravity, from so simple a beginning endless forms most beautiful and most wonderful have been, and are being, evolved.”
—Charles Darwin (1809–1882)