Horace Roye - Published Works

Published Works

  • Phyllis in Censorland. The Camera Studies Club.1942 and later edition 1956.
  • Perfect Womanhood. George Routledge & Sons,London.1941.
  • The English Maid. George Routledge & Sons,London.1939.
  • The Scottish Maid. George Routledge & Sons,London.1940.
  • The Irish Maid. George Routledge & Sons,London.1941.
  • Desirée. Chapman & Hall,London.1942. Later, smaller sized paper backed edition, The Camera Studies Club,London.
  • The Welsh Maid. George Routledge & Sons,London.1942.
  • Phyllis Dixey Album-The Spotlight on Beauty Series no.3.The Camera Studies Club, Elstree.
  • Rhapsody in Colour. The Camera Studies Club, London.1943.
  • Maids. Elstree Publications,Elstree.1947.
  • Canadian Beauty. The Camera Studies Club.1952.
  • Glamour on Parade No.1, Posed by George Black's Lovelies. The Camera Studies Club,Elstree.
  • Nude Ego. Hutchinson, London. 1955.
  • Unique Editions, Nos. 1, 2, 3, and 4. Art Publications,London.
  • Unique Verdict - the Story of an Unsuccessful Prosecution. Art Publications.1960.
  • Unique Verdict – Art Supplement. Art Publications, London.
  • Curves and Colour (with Walter Bird and John Everard). The Camera Studies Club, London.1943.
  • More Eves Without Leaves (with Walter Bird and John Everard). The Camera Studies Club, Elstree. 1941.
  • Eves Without Leaves (with Walter Bird and John Everard). C.Arthur Pearson,London,1940.
  • Eternal Eve (with Walter Bird and John Everard). Elstree Publications,London.1947.
  • Arthur Ferrier's Lovelies. Photographs by Roye. Published by Chapman and Hall, London.1941. Later, smaller sized paper backed editions by the Camera Studies Club, London.

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    Literature that is not the breath of contemporary society, that dares not transmit the pains and fears of that society, that does not warn in time against threatening moral and social dangers—such literature does not deserve the name of literature; it is only a façade. Such literature loses the confidence of its own people, and its published works are used as wastepaper instead of being read.
    Alexander Solzhenitsyn (b. 1918)