History
Louis Clark, former arranger for Electric Light Orchestra, conducted the Royal Philharmonic Orchestra playing a collection of very recognizable extracts from classical music pieces played over a continuous beat (sometimes an overtly disco fast beat, sometimes a slower and more subtle rhythm, always produced by a LinnDrum) that linked the segments together. This is called the Symphonic Rock or Orchestrated Rock genre, like London Symphony Orchestra did in its Classic Rock series but with fewer electronic effects.
The first three albums in the series were a significant commercial success. Hooked on Classics peaked at number 4 on the U.S. Billboard albums chart, remaining on the chart for 68 weeks. It was certified platinum. Hooked on Classics II peaked at number 33, staying for 41 weeks. It was certified gold. Hooked on Classics III reached number 89, and was on the charts for 14 weeks.
The first cut of the initial album was a very successful single, reaching Number 2 on the UK Singles Chart and Number 10 on the Billboard Hot 100 in late-1981/early-1982. At least two more "Hooked on Classics" albums were produced by Louis Clark in 1982 and 1983, as well as some other "Hooked on..." albums on subjects such as swing music. The series was still running as late as 1988, when "Hooked on House" placed classical music extracts against a synthesized bassline and house-music-style drum pattern. In 1989, the orchestra released Mixed-Up Classics, dropping the Hooked On... name but recognizably continuing the same style of medley.
Contemporary efforts to combine classical music with contemporary arrangements included efforts by composers such as Walter Murphy, Eumir Deodato and Waldo de los Ríos.
In 2011 Hooked On Classics was brought back 'live' to the stage by Andy Smith & Musicosity with Louis Clark conducting the English Pops Orchestra, featuring players who recorded on the original album.
Read more about this topic: Hooked On Classics
Famous quotes containing the word history:
“The visual is sorely undervalued in modern scholarship. Art history has attained only a fraction of the conceptual sophistication of literary criticism.... Drunk with self-love, criticism has hugely overestimated the centrality of language to western culture. It has failed to see the electrifying sign language of images.”
—Camille Paglia (b. 1947)
“We have need of history in its entirety, not to fall back into it, but to see if we can escape from it.”
—José Ortega Y Gasset (18831955)
“The history of work has been, in part, the history of the workers body. Production depended on what the body could accomplish with strength and skill. Techniques that improve output have been driven by a general desire to decrease the pain of labor as well as by employers intentions to escape dependency upon that knowledge which only the sentient laboring body could provide.”
—Shoshana Zuboff (b. 1951)