Hoodwinked (soundtrack) - Analysis

Analysis

In February 2006, author Timothy Sexton wrote an article titled "Hoodwinked: A Postmodern Examination of the Dangers of Runaway Capitalism" for Associated Content, in which he posited that Hoodwinked! was one of the first postmodern animated films and also carried political undertones. He argued that the relative nature of truth was shown by revealing deviations from the original fairy tale as the film explored the story from each of the central character's points of view. Calling Hoodwinked! "the most subversive movie released nationwide since Fahrenheit 9/11", Sexton went on to interpret the film as a critique on the free enterprise system. He drew comparisons between the film's villain and the typical American business owner, going so far as to say that the character was "clearly based on people like Bill Gates and Sam Walton". In Sexton's view, the film exposed the flaws of capitalism, showing that if left unregulated, business owners will establish monopolies and eliminate competition.

The film's director and co-writer Cory Edwards was surprised by Sexton's interpretation and denied that the film intentionally carried any political messages. He explained that he and the other filmmakers were simply drawing from the evil schemes common of James Bond films, Bugs Bunny cartoons, and The A-Team, and wrote "If Mr. Sexton sees my movie as a sermon against mega-corporations monopolizing America, that’s fine. But our villain is just as easily the face of every dictator in history, or every schoolyard bully who is compensating for low self-esteem, or any Mafia boss who dominates by either absorbing or wiping out his competition. Hey, if you look at an abstract painting and see the devil in a red splotch, that’s your prerogative ... I guess a movie’s message is only partially supplied by the filmmaker."

In May 2007 Time Magazine ran an article by James Poniewozik titled "Is Shrek Bad for Kids?" which considered the negative effects on children of being raised with fairy tale satires, instead of the original stories. Poniewozik mentioned Hoodwinked! writing, "I thought Hoodwinked! and most of the Shrek series were hilarious ... But even if you ultimately reject their messages, old-school fairy tales are part of our cultural vocabulary. There's something a little sad about kids growing up in a culture where their fairy tales come pre-satirized, the skepticism, critique and revision having been done for them by the mama birds of Hollywood." Cory Edwards wrote into the magazine, expressing his similar sentiments and writing, "As the writer-director of Hoodwinked, it may surprise you that I couldn’t agree more with James Poniewozik’s article. Even as I was making the film, I asked myself the same question: Are we parodying something that kids should have the chance to experience first, 'un-parodied?' We went to great lengths to distance our film from Shrek’s humor (and no, I don’t think Shrek considers kids). I would hope that Hoodwinked and its sequels will be seen as trying to do something genuine with its characters, rather than look for the next joke at the expense of innocence. We ALL need the real folklore of fairytales, whether we admit it or not."