Hong Kong Action Cinema

Hong Kong action cinema is the principal source of the Hong Kong film industry's global fame. It combines elements from the action film, as codified by Hollywood, with Chinese storytelling and aesthetic traditions, to create a culturally distinctive form that nevertheless has a wide transcultural appeal. In recent years, the flow has reversed somewhat, with American and European action films being heavily influenced by Hong Kong genre conventions.

The first Hong Kong action films favoured the wuxia style, emphasizing mysticism and swordplay, but this trend was politically suppressed in the 1930s and replaced by styles in which films depicted more down-to-earth unarmed kung fu, often featuring folk hero Wong Fei Hung. Post-war cultural upheavals led to a second wave of wuxia films with highly acrobatic violence, followed by the emergence of the grittier kung fu films for which the Shaw Brothers studio became best known.

The 1970s saw the rise and sudden death of international superstar Bruce Lee. He was succeeded in the 1980s by Jackie Chan—who popularised the use of comedy, dangerous stunts, and modern urban settings in action films—and Jet Li, whose authentic wushu skills appealed to both eastern and western audiences. The innovative work of directors and producers like Tsui Hark and John Woo introduced further variety (for example, gunplay, triads and the supernatural). An exodus by many leading figures to Hollywood in the 1990s coincided with a downturn in the industry.

Read more about Hong Kong Action Cinema:  Early Martial Arts Films, Postwar Martial Arts Cinema, "New School" Wuxia, The 1970s Kung Fu Wave, Reinventing Action Cinema, Influence in The West, Exit of Many Leading Figures, Recent Trends

Other articles related to "hong kong action cinema, action, hong kong action, hong kong, kong, cinema":

Action Film - Hong Kong Action Cinema
... At present, action films requiring big budget stunt work and special effects tend to be expensive ... they are regarded as mostly a large-studio genre in Hollywood, although this is not the case in Hong Kong action cinema, where action films are often ... Because of these roots and their lower budgets, Hong Kong action films typically center on physical acrobatics, martial arts fight scenes, stylized gun-pla ...
Index Of Economic Freedom - Ratings
... The top five "free" economies identified by the 2011 index were Hong Kong, Singapore, Australia, New Zealand, and Switzerland, each scoring over 80 on the economic freedom grading scale ... Since the Index was created in 1995, Hong Kong has been the top performing economy ... such countries as Denmark, Canada, and first-place Hong Kong ...
United And Uniting Churches - United and Uniting Churches Around The World
... Hong Kong Hong Kong Christian Council, the ecumenical body of Christian churches, organizations and institutions in Hong Kong, founded in 1954 India Church of North India, the 1970 union of Anglican, Methodist ...
Hong Kong Action Cinema - Recent Trends
... The Hong Kong film industry has been in a severe slump since the mid-1990s ... This crisis and increased contact with Western cinema have probably been the biggest recent influences on Hong Kong action cinema ... Action movies are now generally headlined by babyfaced Cantonese pop music idols, such as Ekin Cheng and Nicholas Tse, enhanced with wires and digital effects - a trend also driven by the waning of a previous ...
Unequal Treaty - Overview
... amounts of reparations, open up ports for trade, cede or lease territories (such as Hong Kong to Great Britain and Macau to Portugal), and make various other concessions of ... of unequal treaties on China did outlast World War II unequal treaties regarding Hong Kong remained in place until Hong Kong's 1997 handover, and in 1969, to ...

Famous quotes containing the words cinema and/or action:

    Compare ... the cinema with theatre. Both are dramatic arts. Theatre brings actors before a public and every night during the season they re-enact the same drama. Deep in the nature of theatre is a sense of ritual. The cinema, by contrast, transports its audience individually, singly, out of the theatre towards the unknown.
    John Berger (b. 1926)

    Do you suppose that sacrifice is the hallmark of moral action?—Just stop to consider whether sacrifice is not involved in every action that is done with deliberation, the worst as well as the best.
    Friedrich Nietzsche (1844–1900)