Album Cover
The album's graphic design resembled a lurid 1950s Saul Bass movie poster, with cockfighting motifs. The liner notes from Lunch titled "THE TERRORTORY", comments on commercial and religious puritanical attitudes. It included an Annie Sprinkle (Post-Porn Modernist) photograph of Lydia Lunch's body superimposed onto a rural roadmap, also a photograph by a Chris Stein of Lunch wearing a suicide-blonde wig and heavy make up, holding up a large pistol.
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