Production
Originally, the film was going to be released in 1996 to theaters. Karey Kirkpatrick was called in to write the script, while working on James and the Giant Peach. The finished script was sent in to Jeffrey Katzenberg, who decided that the studio did not want to continue with the film. It was shelved for a few months while Kirkpatrick resumed work on James and the Giant Peach. While working on the film, Kirkpatrick learned that it was going to be picked up again.
The Walt Disney Company at the time was having success with releasing direct-to-video sequels, such as The Return of Jafar and Aladdin and the King of Thieves. They wanted to test how live-action sequels would do, so they picked Honey, We Shrunk Ourselves to be their first.
Nell Scovell and Joel Hodgson were recruited to try to reduce Kirkpatrick's script due to the budget restraint. In Kirkpatrick's script, the group of shrunken parents would originally fall into a fishtank. The scene was cut from the script, and then revised to the bubble machine scene. One scene shows one of Wayne's inventions, a machine that translates dog barks to human speech. It is similar to the devices in the "invention exchange" Hodgson did when with Mystery Science Theatre 3000.
Read more about this topic: Honey, We Shrunk Ourselves
Famous quotes containing the word production:
“To expect to increase prices and then to maintain them at a higher level by means of a plan which must of necessity increase production while decreasing consumption is to fly in the face of an economic law as well established as any law of nature.”
—Calvin Coolidge (1872–1933)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)
“... if the production of any commodity necessitates the sacrifice of human life, society should do without that commodity, but it can not do without that life.”
—Emma Goldman (1869–1940)