Critical Reception
"Honey" garnered generally favorable response from contemporary music critics. David Browne from Entertainment Weekly described the importance the song held for Carey's musical transition. He wrote "You're prepared for a song on which Carey finally breaks free of her adult-contemporary chains and gets down." He felt "Honey" sounded as "anyone striking out on his or her own — caught between old and new habits and taking cautious baby steps into the future." Browne also commented that Carey showed a commendable vocal restraint in the song, "showing some admirable restraint, she nestles herself into the downy-soft beats of "Honey." Author Chris Nickson felt the single's importance was "well beyond its chart placing" and that the single was one of the most important songs in Carey's career, enabling her to transition into R&B and hip-hop. Nickson commented that before, Carey was seen as a pop singer with R&B tendencies, but "Honey" changed that idea, giving the singer "hip-hop credibility", and forced naysayers to "take another look." Rich Juzwiak from Slant complimented the song, calling it "awakening, both sensually and musically." Juzwiak concluded the review writing "Honey exemplifies the abrupt gear shifting that appreciating Mariah the artist requires. Its new pop brilliance doesn't always come easy, where detecting it depends on the audience's newfound ability to apply Carey's pop life to her pop music." "Honey" was nominated for two Grammy Awards at the 1998 ceremony, for Best Female R&B Vocal Performance and Best R&B Song. The song did not win either nomination, a typical trend of Carey's nominations at the Grammys.
"Honey" won many prestigious awards throughout the music industry in 1995 and 1996. The song was nominated at the 1998 Grammy Awards for Best Female R&B Vocal Performance and Best R&B Song. Additionally, the song won the BMI Pop Award for "Songwriter".
Read more about this topic: Honey (Mariah Carey Song)
Famous quotes containing the words critical and/or reception:
“The disaster ... is not the money, although the money will be missed. The disaster is the disrespectthis belief that the arts are dispensable, that theyre not critical to a cultures existence.”
—Twyla Tharp (b. 1941)
“I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, I hear you spoke here tonight. Oh, it was nothing, I replied modestly. Yes, the little old lady nodded, thats what I heard.”
—Gerald R. Ford (b. 1913)