Reception
Hollow Fields was well received by critics. Ben Leary of Mania Entertainment called it "a good, clean, fun, and inventive read" with "cleanly organized" and "attractive" art. PopCultureShock's Katherine Dacey praised the art as "crisply appealing", which is "as good if not better than the artwork in many licensed series, employing the visual tropes of shonen manga to tell a story that would resonate equally with Frances Hodgson Burnett and Hayao Miyazaki fans"; however, Dacey also commented on the plot as "a bit derivative, borrowing elements from Lemony Snickett and Harry Potter not to mention Castle in the Sky and Steamboy" and wished for "a consistent tone" in the story. Holly Ellingwood of Active Anime described it as "a remarkable debut" and "a rich fantasy of fertile imagination that will appeal to fans of Harry Potter and Lemony Snicket’s Series of Unfortunate Events". Ellingwood also commended the "immersing style with a highly attractive quality" of the artwork. Aint It Cool News's Scott Green wrote "Hollow Fields serves as a welcome, boisterous counter-point to post-Potter magical school fiction" and noted that it "does not closely conform to prominent the features of manga, or for that matter, western comics."
About.com's Deb Aoki picked Hollow Fields as "2007's Best New OEL Manga", and Dacey listed it as an honourable mention in her list of the ten best global manga. Rosca was one of four winners presented with Japan’s first ever "International Manga Award" for her work on Hollow Fields.
Read more about this topic: Hollow Fields
Famous quotes containing the word reception:
“But in the reception of metaphysical formula, all depends, as regards their actual and ulterior result, on the pre-existent qualities of that soil of human nature into which they fall—the company they find already present there, on their admission into the house of thought.”
—Walter Pater (1839–1894)
“Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.”
—Rémy De Gourmont (1858–1915)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)