Production
Madeleine Rosca wanted to write a story which could appeal to both children and adults and that featured "a female protagonist" and "a steampunk-influenced setting". The concept of the series "gradually evolved over several months". Children's books such as A Series of Unfortunate Events and Artemis Fowl, that combined "fantasy/horror themes with comedy and had a broad appeal" inspired Hollow Fields, though she noted some "manga and comic influences" in her overall work. Rosca enjoyed drawing Lucy and her "big range of expressions" as well as Miss Notch and her "prim mannerisms". She began the series in 2004 and by mid-2005, "had a cohesive version". She published Hollow Fields on the "online webmanga community" Wirepop in November 2005 and three days later, Seven Seas Entertainment offered to publish Hollow Fields in North America. Seven Seas Entertainment released the three volumes of Hollow Fields from July 2007 to January 2009, and reprinted the series in an omnibus collection (ISBN 978-1-934876-72-5) on October 2009.
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“The production of too many useful things results in too many useless people.”
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“Constant revolutionizing of production ... distinguish the bourgeois epoch from all earlier ones. All fixed, fast-frozen relations, with their train of ancient and venerable prejudices are swept away, all new-formed ones become antiquated before they can ossify. All that is solid melts into air, all that is holy is profaned, and man is at last compelled to face with sober senses, his real conditions of life, and his relations with his kind.”
—Karl Marx (1818–1883)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)