Hollis Frampton - Film

Film

As Frampton's photography moved toward exploring ideas of series and sets, it was natural that he began to make films. He based a lot of his early films on concepts, which he applied clearly and cleverly. All of his very early works were either discarded or lost. His earliest surviving work was Information (1966). His early works were reasonably simple in construction. A few of them including Maxwell's Demon, Surface Tension, and Prince Rupert's Drops were based on concepts from science, a subject he was well read on. As he got on, his films gradually increased in complexity.

His most significant work is arguably Zorns Lemma (1970), a film which drastically altered perceptions towards experimental film at the time. He was seen as a structural filmmaker, a style that focused on the nature of film itself. In an interview with Robert Gardner he stated a discomfort with that term because it was too broad and didn't accurately reflect the nature of his work.

Zorns Lemma remains the most widely known of this films. It is formed in three different sections. The first is a reading (by Joyce Wieland) of the Bay State Primer, a puritan work for children to learn the alphabet. The sentences used had foreboding themes such as "In Adams fall, we sinned all." The second section is based on a text based work by Carl Andre, which started out with an alphabetical list of words for each letter in the alphabet. Each subsequent list is replaced with a letter until it is just letters. In Zorns Lemma, the concept is reversed. It starts off with a twenty four letter alphabet (I/J and U/V are considered one letter), each letter shown for one second of screentime and then looping. The second cycle replaces each letter with a word that starts with each letter. Gradually the word stills are replaced by an active film shot, such as washing hands or peeling a tangerine until there are only moving images. The third section contains a seemingly single shot of a couple walking across a snowy meadow. The sound is of six women reading one word at a time from Theory of Light.

One interpretation of Zorns Lemma was that it was a comment on life's stages, the morality of the Bay State Primer being childhood, the sets of numbers representing maturing and interaction with the world, and the third part representing old age and death.

After Zorns Lemma, he made the Hapax Legomena films, a series of seven films of which (nostalgia) is the most well known. Several of these films explored the relation between sound and cinema, an area often disregarded in American avant-garde film, by demonstrating a disjointed relationship between the two. Poetic Justice explores a "cinema of the mind", wherein the film takes place in the viewers' imagination(s) as they read title cards. An extremely rare artist book edition of Poetic Justice was printed by the Visual Studies Workshop.

His final major film project was a monumental project called Magellan, named after the explorer who first circumnavigated the world. Magellan was intended to be shown as a calendrical cycle, one film for each day of the year. One film from the cycle, Magellan: Drafts and Fragments, is exemplary of Frampton's ambition to create a personal "meta-history" of film; in Drafts and fragments, he remade the cinema of the Lumieres in 51 1-minute films.

The last few years of his life, Frampton taught at SUNY Buffalo, writing, working on Magellan and ongoing photographic projects with fellow artist and wife Marion Faller, and investigating the relationship between computers and art. He did some initial work with video and sound reproducing with an Altair 8800 computer.

Frampton died of cancer in 1984.

Film study, restoration and print availability through Filmmakers Co-op NY, Anthology Film Archives and NY MoMA. Much of Frampton's work was released by the Criterion Collection on April 26, 2012 as special edition Blu-ray Disc and DVD.