Career
Taylor's long career began in the theater. Throughout the 1960s, 1970s and 1980s she appeared in numerous Broadway and Off-Broadway productions, including starring roles in Simon Gray's Butley and A. R. Gurney's The Cocktail Hour; for the latter she was nominated for a Drama Desk award. Taylor also has the dubious distinction of having starred in Broadway's most infamous flop, Moose Murders, where she filled in, with less than a week's rehearsal, for veteran character actress Eve Arden who had jumped from the sinking ship.
In 1983 Taylor had one of her greatest theatrical moments in Breakfast with Les and Bess, which prompted the New York magazine theater critic John Simon to sing, "...Miss Taylor is one of the few utterly graceful, attractive, elegant and technically accomplished actresses in our theater...seeing her may turn you, like me, into a Taylor freak..."
Concentrating on theater, television took a backseat but she did take on the role of Denise Cavanaugh on the long running soap opera, The Edge of Night, who was so evil, she killed herself just to frame her husband. Then encouraged by her acting coach, the legendary Stella Adler, Taylor took a role that would make her well known: Tom Hanks' sexy, demanding boss in the 1980s sitcom Bosom Buddies.
The actress' rising fame, built slowly over many years, led her to roles that made her a well known name in the industry. She proved herself to be equally adept both at comedy and at drama. From 1992 to 1993 she starred in Norman Lear's The Powers That Be with John Forsythe and David Hyde Pierce; and from 1995 to 1998 on The Naked Truth.
She played the part of rapacious Judge Roberta Kittleson on The Practice. Originally intended to be a one-time appearance, the role lasted from 1998 to 2003. She won the Emmy for Best Supporting Actress in 1999; in her acceptance speech, she brought the house down when she lifted the Emmy over her head and said, "Overnight!" Taylor thanked David E. Kelley, The Practice's producer/writer and creator, for "giving me a chariot to ride up here on: A woman who puts a flag on the moon for women over 40—who can think, who can work, who are successes, who can cook, and who can COOK!".
Taylor was also nominated for an Emmy for her recurring role on AMC's The Lot, and has been nominated four times since 2003, for best supporting actress for her role on the TV series Two and a Half Men, playing Evelyn Harper, the snobbish, overbearing mother of Charlie Sheen's and Jon Cryer's characters. Taylor's television movie and series guest roles have been extensive and include appearances on ER, Veronica's Closet, and recurring roles on Ally McBeal; Monk and as billionaire Peggy Peabody on The L Word.
Taylor's movie roles have included Reese Witherspoon's tough Harvard law professor in the 2001 comedy Legally Blonde; Tina Fey's mother in Baby Mama; The Truman Show; Happy Accidents; Next Stop Wonderland; George of the Jungle; The Wedding Date; How to Make an American Quilt; Romancing the Stone; and D.E.B.S..
Taylor's animated roles include that of Prudence, the castle's majordomo and love interest of the Grand Duke, in Disney's Cinderella II and Cinderella III: A Twist in Time. She also played a role in the animated show American Dad! as Francine's biological mother.
Taylor's first love remains the theater and she began researching, writing and producing a one-woman play about the late Texas Governor Ann Richards in 2009. The two-act play, originally titled Money, Marbles, and Chalk, starring Taylor as Richards, was first workshopped in May 2010 at The Grand 1894 Opera House in Galveston, Texas. It was later retitled Ann: An Affectionate Portrait of Ann Richards and opened in Chicago November 16, 2011 and was billed as a "pre-Broadway" engagement. It is scheduled to play at the Kennedy Center in Washington, D.C. December 17, 2011 through January 15, 2012.
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