Holiday (Madonna Song) - Composition

Composition

Musically, "Holiday" is set in the time signature of common time with a medium tempo of 116 beats per minute. The song is composed in the key of D major and is six minutes seven seconds in length. Madonna's vocal range spans from B3 to C♯5. The song follows in the chord progression of G–A–A–Bm in the first line, when Madonna sings "Holiday!" and changes to G–A–F♯m–G in the second line, when Madonna sings "Celebrate!". The four bar sequence of the progression continues and features instrumentation from guitars, electronic handclaps, cowbell played by Madonna, and a synthesized string arrangement. A side-by-side repetitive progression is achieved by making use of the chorus. Towards the end of the song, a change in the arrangement happens, where a piano break is heard. Lyrically the song expresses the universal sentiment—that everybody needs a holiday.

Read more about this topic:  Holiday (Madonna Song)

Famous quotes containing the word composition:

    There was not a grain of poetry in the whole composition of Lord Fawn, and poetry was what her very soul craved;Mpoetry, together with houses, champagne, jewels, and admiration.
    Anthony Trollope (1815–1882)

    Give a scientist a problem and he will probably provide a solution; historians and sociologists, by contrast, can offer only opinions. Ask a dozen chemists the composition of an organic compound such as methane, and within a short time all twelve will have come up with the same solution of CH4. Ask, however, a dozen economists or sociologists to provide policies to reduce unemployment or the level of crime and twelve widely differing opinions are likely to be offered.
    Derek Gjertsen, British scientist, author. Science and Philosophy: Past and Present, ch. 3, Penguin (1989)

    When I think of God, when I think of him as existent, and when I believe him to be existent, my idea of him neither increases nor diminishes. But as it is certain there is a great difference betwixt the simple conception of the existence of an object, and the belief of it, and as this difference lies not in the parts or composition of the idea which we conceive; it follows, that it must lie in the manner in which we conceive it.
    David Hume (1711–1776)