Reception
During their career, Holiday Flyer drew comparisons to many indie pop standard-bearers such as Blueboy, the Softies, early Wolfie, and the Aislers Set, and indeed influenced some of those bands. Their jangly, chiming guitars, wistful lyrics, and wildly concordant sibling boy-girl harmonies made their music both bouncy and soothing, but more earnest than twee. As the zine Caught in Flux put it, Holiday Flyer's sound is 'comforting like a cup of hot chocolate . . . on a drizzly weekend morning.'
The band's reluctance to tour was somewhat unusual for an indie pop band, many of whom rely on word of mouth and contact at shows to build their fanbases. In an interview, Katie Conley summed up the band's live career: 'we've played around town, a little in L.A., very little, like three times, and one time in New York.' Nevertheless, being primarily a studio band did not prevent Holiday Flyer from developing a healthy following in Japan, where their last two releases were put out through Sony.
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Famous quotes containing the word reception:
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)
“To aim to convert a man by miracles is a profanation of the soul. A true conversion, a true Christ, is now, as always, to be made by the reception of beautiful sentiments.”
—Ralph Waldo Emerson (1803–1882)
“But in the reception of metaphysical formula, all depends, as regards their actual and ulterior result, on the pre-existent qualities of that soil of human nature into which they fall—the company they find already present there, on their admission into the house of thought.”
—Walter Pater (1839–1894)