Fictional Character Biography
Set shortly after the events of Frank Miller's Batman: Year One, The Long Halloween follows the crusade of Batman, Captain James Gordon and Harvey Dent to topple mobster Carmine Falcone's crime family. At the same time, however, a mysterious assailant begins killing mafiosi on holidays, starting with Halloween.
The killer's identity remains a mystery for most of the story, but the method is always the same. The killer's weapon is a .22 pistol (using a rubber baby bottle nipple as a silencer) with the handle taped and the serial number filed off, which is left at the crime scene along with a holiday trinket representative of the holiday. This leads to the nickname "The Holiday Killer".
Holiday's crime spree occurs for 13 months, with the only holidays without a murder being April Fools' Day, where the killer confronts the Riddler but leaves him alive in the spirit of the holiday, and New Year's Eve where the 'victim' later turns up alive). There are several red herrings that appear in the story to further deepen the mystery, but ultimately, Alberto Falcone is revealed to be Holiday on Labor Day, Gilda Dent later confessed to the first three killings, and Two-Face briefly assumed the role.
Read more about this topic: Holiday (comics)
Famous quotes containing the words fictional, character and/or biography:
“One of the proud joys of the man of letters—if that man of letters is an artist—is to feel within himself the power to immortalize at will anything he chooses to immortalize. Insignificant though he may be, he is conscious of possessing a creative divinity. God creates lives; the man of imagination creates fictional lives which may make a profound and as it were more living impression on the world’s memory.”
—Edmond De Goncourt (1822–1896)
“In contrast to revenge, which is the natural, automatic reaction to transgression and which, because of the irreversibility of the action process can be expected and even calculated, the act of forgiving can never be predicted; it is the only reaction that acts in an unexpected way and thus retains, though being a reaction, something of the original character of action.”
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“In how few words, for instance, the Greeks would have told the story of Abelard and Heloise, making but a sentence of our classical dictionary.... We moderns, on the other hand, collect only the raw materials of biography and history, “memoirs to serve for a history,” which is but materials to serve for a mythology.”
—Henry David Thoreau (1817–1862)