History of Writing - Inventions of Writing

Inventions of Writing

Writing numbers for record keeping began long before the writing of language. See History of writing ancient numbers for how the writing of numbers began.

It is generally agreed that true writing of language (not only numbers) was invented independently in at least two places: Mesopotamia (specifically, ancient Sumer) around 3200 BCE and Mesoamerica around 600 BCE. It is believed that writing used in an inscription discovered in Jiroft, Iran came into existence at around the same time as that of Mesopotamia; carbon-14 tests conducted on the layers in which the Jiroft inscription was discovered have dated it to around 2500 BCE. Although such tests have not yet been carried out on Mesopotamian inscriptions, archaeologists believe that Mesopotamia's script goes back to 2600-2700 BCE at most. Twelve Mesoamerican scripts are known, the oldest being from the Olmec or Zapotec of Mexico.

It is debated whether writing were developed completely independently in Egypt around 3200 BCE and China around 1200 BCE, or whether the appearance of writing in either or both places were due to cultural diffusion (i.e. the concept of representing language using writing, if not the specifics of how such a system worked, was brought by traders from an already-literate civilization).

Chinese characters are most probably an independent invention, because there is no evidence of contact between China and the literate civilizations of the Near East, and because of the distinct differences between the Mesopotamian and Chinese approaches to logography and phonetic representation. Egyptian script is dissimilar from Mesopotamian cuneiform, but similarities in concepts and in earliest attestation suggest that the idea of writing may have come to Egypt from Mesopotamia. In 1999, Archaeology Magazine reported that the earliest Egyptian glyphs date back to 3400 BCE which "...challenge the commonly held belief that early logographs, pictographic symbols representing a specific place, object, or quantity, first evolved into more complex phonetic symbols in Mesopotamia."

Similar debate surrounds the Indus script of the Bronze Age Indus Valley civilization in Ancient India 2200 BCE, with the additional provisos that the script is still undeciphered and that there is debate over whether the script is true writing at all, or instead some kind of proto-writing or non-linguistic sign system.

An additional possibility is the undeciphered Rongorongo script of Easter Island. However, it is debated whether this system is true writing, and if it is, whether it is yet another case of cultural diffusion of writing. The oldest example is from 1851, 139 years after their first contact with Europeans. The most probable explanation is that the script was inspired by Spain's written annexation proclamation in 1770.

Various other known cases of cultural diffusion of writing exist, where the general concept of writing was transmitted from one culture to another but the specifics of the system were independently developed. Recent examples are the Cherokee syllabary, invented by Sequoyah, and the Pahawh Hmong system for writing the Hmong language.

Read more about this topic:  History Of Writing

Famous quotes containing the words inventions of, inventions and/or writing:

    “Opera, next to Gothic architecture, is one of the strangest inventions of Western man. It could not have been foreseen by any logical process.”
    —Kenneth MacKenzie Clark, Baron of Saltwood (1903–1983)

    “New inventions can and will be made; however, nothing new can be thought of that concerns moral man. Everything has already been thought and said which at best we can express in different forms and give new expressions to.”
    —Johann Wolfgang Von Goethe (1749–1832)

    “What is line? It is life. A line must live at each point along its course in such a way that the artist’s presence makes itself felt above that of the model.... With the writer, line takes precedence over form and content. It runs through the words he assembles. It strikes a continuous note unperceived by ear or eye. It is, in a way, the soul’s style, and if the line ceases to have a life of its own, if it only describes an arabesque, the soul is missing and the writing dies.”
    —Jean Cocteau (1889–1963)