History of Surface Weather Analysis - Twentieth Century

Twentieth Century

The use of frontal zones on weather maps did not appear until the introduction of the Norwegian cyclone model in the late 1910s, despite Loomis' earlier attempt at a similar notion in 1841. Since the leading edge of air mass changes bore resemblance to the military fronts of World War I, the term "front" came into use to represent these lines.

Despite the introduction of the Norwegian cyclone model just after World War I, the United States did not formally analyze fronts on surface analyses until August 1, 1941, just before the WBAN Analysis Center opened in downtown Washington, D.C.. The effort to automate map plotting began in the United States in 1969, with the process complete in the 1970s. Hong Kong completed their process of automated surface plotting by 1987. By 1999, computer systems and software had finally become sophisticated enough to allow for the ability to underlay on the same workstation satellite imagery, radar imagery, and model-derived fields such as atmospheric thickness and frontogenesis in combination with surface observations to make for the best possible surface analysis. In the United States, this development was achieved when Intergraph workstations were replaced by n-AWIPS workstations.

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Famous quotes related to twentieth century:

    In the twentieth century one of the most personal relationships to have developed is that of the person and the state.... It’s become a fact of life that governments have become very intimate with people, most always to their detriment.
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    One of the peculiar sins of the twentieth century which we’ve developed to a very high level is the sin of credulity. It has been said that when human beings stop believing in God they believe in nothing. The truth is much worse: they believe in anything.
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    War is bestowed like electroshock on the depressive nation; thousands of volts jolting the system, an artificial galvanizing, one effect of which is loss of memory. War comes at the end of the twentieth century as absolute failure of imagination, scientific and political. That a war can be represented as helping a people to ‘feel good’ about themselves, their country, is a measure of that failure.
    Adrienne Rich (b. 1929)