Modern
This period is the 19th and 20th centuries.
The 19th century was a time of rapid urbanisation and industrialisation in Yorkshire. Yorkshire was already a centre of industry in textiles, concentrated in the West Riding. Steel continued to be concentrated around Sheffield, as was the production of coal. The worsted sector of the textile industry was the first to adapt the machinery developed by the Lancashire cotton industry and had become completely factory based by the 1860s including large horizontally integrated mills.
Steel production at this time involved long working hours, in unpleasant conditions that offered little or no safety protection. Friedrich Engels in his The Condition of the Working Class in England in 1844 described the conditions prevalent in Sheffield at that time. The city became one of the main centres for trade union organisation and agitation in the UK. By the 1860s, the growing conflict between capital and labour provoked the so-called 'Sheffield Outrages', which culminated in a series of explosions and murders carried out by union militants. The Sheffield Trades Council organised a meeting in Sheffield in 1866 at which the United Kingdom Alliance of Organised Trades — a forerunner of the Trades Union Congress (TUC) — was founded.
William Wilberforce, Member of Parliament for Hull, was a prominent abolitionist in the slave trade. The Edwardian period in Yorkshire brought the Labour Party (UK) into focus, as it tried to mobilise further reform. Robert Baden-Powell, 1st Baron Baden-Powell commanded the Northern Territorial Army at Richmond Castle until 1910.
Read more about this topic: History Of North Yorkshire
Famous quotes containing the word modern:
“Speed, it seems to me, provides the one genuinely modern pleasure.”
—Aldous Huxley (1894–1963)
“I tell you, sir, the only safeguard of order and discipline in the modern world is a standardized worker with interchangeable parts. That would solve the entire problem of management.”
—Jean Giraudoux (1882–1944)
“A building is akin to dogma; it is insolent, like dogma. Whether or no it is permanent, it claims permanence, like a dogma. People ask why we have no typical architecture of the modern world, like impressionism in painting. Surely it is obviously because we have not enough dogmas; we cannot bear to see anything in the sky that is solid and enduring, anything in the sky that does not change like the clouds of the sky.”
—Gilbert Keith Chesterton (1874–1936)