Culture
Mecca's culture has been affected by the large number of pilgrims that arrive annually, and thus boasts a rich cultural heritage.
As a result of the vast numbers of pilgims coming to the city each year (many of whom remain permanently), Mecca has become by far the most diverse city in the Muslim world. In contrast to the rest of Saudi Arabia, and particularly Nejd, Mecca has, according to the The New York Times, become "a striking oasis" of free thought and discussion and, also, of "unlikely liberalism" as "Meccans see themselves as a bulwark against the creeping extremism that has overtaken much Islamic debate".
The first press was brought to Mecca in 1885 by Osman Nuri Paşa, an Ottoman Wāli. During the Hashemite period, it was used to print the city's official gazette, al-Qibla. The Saudi regime expanded this press into a larger operation, introducing the new Saudi official gazette Umm al-Qurā. Henceforth presses and printing techniques were introduced in the city from around the Middle East, mostly via Jeddah.
Mecca owns its hometown paper, Al Nadwa. However, other Saudi and international newspapers are also provided in Mecca such as the Saudi Gazette, Al Madinah, Okaz and Al Bilad. The first three are Mecca's (and other Saudi cities') primary newspapers focusing mainly on issues that affect the city, with over a million readers.
Many television stations serving the city area include Saudi TV1, Saudi TV2, Saudi TV Sports, Al-Ekhbariya, Arab Radio and Television Network and hundreds of cable, satellite and other speciality television providers.
In pre-modern Mecca the most common sports were impromptu wrestling and foot races. Football is the most popular sport in Mecca, the city hosting some of the oldest sport clubs in Saudi Arabia such as, Al-Wahda FC (established in 1945). King Abdulaziz Stadium is the largest stadium in Mecca with capacity of 38,000.
Read more about this topic: History Of Mecca
Famous quotes containing the word culture:
“Without metaphor the handling of general concepts such as culture and civilization becomes impossible, and that of disease and disorder is the obvious one for the case in point. Is not crisis itself a concept we owe to Hippocrates? In the social and cultural domain no metaphor is more apt than the pathological one.”
—Johan Huizinga (1872–1945)
“Our culture has become something that is completely and utterly in love with its parent. It’s become a notion of boredom that is bought and sold, where nothing will happen except that people will become more and more terrified of tomorrow, because the new continues to look old, and the old will always look cute.”
—Malcolm McLaren (b. 1946)
“The fact remains that the human being in early childhood learns to consider one or the other aspect of bodily function as evil, shameful, or unsafe. There is not a culture which does not use a combination of these devils to develop, by way of counterpoint, its own style of faith, pride, certainty, and initiative.”
—Erik H. Erikson (1904–1994)