History of Graphic Design

History Of Graphic Design

Graphics (from Greek γραφικός, graphikos) are the production of visual statements on some surface, such as a wall, canvas, pottery, computer screen, paper, stone or landscape. It includes everything that relates to creation of signs, charts, logos, graphs, drawings, line art, symbols, geometric designs and so on. Graphic design is the art or profession of combining text, pictures, and ideas in advertisements, publication, or website. At its widest definition, it therefore includes the whole history of art, although painting and other aspects of the subject are more usually treated as art history.

Read more about History Of Graphic Design:  History, Use in Books, Byzantine Art, Miniatures, Asian Paintings: China, Japan, and Vietnam, Pottery, Indigenous Graphic Art of The Americas, Mayan and Aztec Art, African Art, Mondrian's Minimalism Revolution, Communication, Information Signs: ISOTYPE, Dynamic Designs and Computer Animation, Pioneers of Modern Graphics and Industrial Design, Placards and Posters, Modern Graphic Design, Posters Post-World War II, Advertising, Comics and Graphic Novels, Web Sites, Modern Life, See Also

Famous quotes containing the words history of, history, graphic and/or design:

    In the history of the human mind, these glowing and ruddy fables precede the noonday thoughts of men, as Aurora the sun’s rays. The matutine intellect of the poet, keeping in advance of the glare of philosophy, always dwells in this auroral atmosphere.
    Henry David Thoreau (1817–1862)

    The history of the genesis or the old mythology repeats itself in the experience of every child. He too is a demon or god thrown into a particular chaos, where he strives ever to lead things from disorder into order.
    Ralph Waldo Emerson (1803–1882)

    Speed is scarcely the noblest virtue of graphic composition, but it has its curious rewards. There is a sense of getting somewhere fast, which satisfies a native American urge.
    James Thurber (1894–1961)

    With wonderful art he grinds into paint for his picture all his moods and experiences, so that all his forces may be brought to the encounter. Apparently writing without a particular design or responsibility, setting down his soliloquies from time to time, taking advantage of all his humors, when at length the hour comes to declare himself, he puts down in plain English, without quotation marks, what he, Thomas Carlyle, is ready to defend in the face of the world.
    Henry David Thoreau (1817–1862)