History of Bologna - Culture

Culture

Over the centuries, Bologna has acquired many nicknames: "the learned one" (la dotta) is a reference to its university; "the fat one" (la grassa) refers to its cuisine.

"The red one" (la rossa) originally refers to the colour of the roofs in the historic centre, but this nickname is also connected to the political situation in the city, started after World War II: until the election of a centre-right mayor in 1999, the city was renowned as a bastion of socialism and communism in particular the Italian Communist Party. The centre-left regained power again in the 2004 mayoral elections, with the election of Sergio Cofferati. It was one of the first European cities to experiment with the concept of free public transport.

The city of Bologna was appointed a UNESCO City of Music on 26 May 2006. According to UNESCO, "As the first Italian city to be appointed to the Network, Bologna has demonstrated a rich musical tradition that is continuing to evolve as a vibrant factor of contemporary life and creation. It has also shown a strong commitment to promoting music as an important vehicle for inclusion in the fight against racism and in an effort to encourage economic and social development. Fostering a wide range of genres from classical to electronic, jazz, folk and opera, Bologna offers its citizens a musical vitality that deeply infiltrates the city’s professional, academic, social and cultural facets."

Read more about this topic:  History Of Bologna

Famous quotes containing the word culture:

    The future is built on brains, not prom court, as most people can tell you after attending their high school reunion. But you’d never know it by talking to kids or listening to the messages they get from the culture and even from their schools.
    Anna Quindlen (b. 1953)

    The higher, the more exalted the society, the greater is its culture and refinement, and the less does gossip prevail. People in such circles find too much of interest in the world of art and literature and science to discuss, without gloating over the shortcomings of their neighbors.
    Mrs. H. O. Ward (1824–1899)

    Both cultures encourage innovation and experimentation, but are likely to reject the innovator if his innovation is not accepted by audiences. High culture experiments that are rejected by audiences in the creator’s lifetime may, however, become classics in another era, whereas popular culture experiments are forgotten if not immediately successful. Even so, in both cultures innovation is rare, although in high culture it is celebrated and in popular culture it is taken for granted.
    Herbert J. Gans (b. 1927)