Early Works
The earliest works of Swiss history are the battle songs and folk songs in which the earliest Confederates celebrated their deeds, as well as the illustrated chronicles written mostly in the 15th to 17th century on behalf of the authorities of the city-states of Berne and Lucerne. While these chronicles were written from the point of view of the individual states, even the earliest did address issues of all-Swiss significance in some detail.
With the introduction of movable type in Europe, chroniclers could reach a wider audience and begin to write about Swiss history as a whole. The 1507 Chronicle of the Swiss Confederation by Petermann Etterlin exerted great influence on later writers because, as a printed work, it was the first to be generally available. Moreover, Humanist scholars such as Johannes Stumpf and Aegidius Tschudi connected the history of their time with the Roman era of Switzerland and to the accounts of the Helvetii, giving a greater depth to the emerging discipline of history in Switzerland.
This development came to a close with Josias Simler's 1576 De Helvetiorum republica libri duo, a sober account of the Confederacy's constitutional status and historical background. The work remained the definitive account of Swiss political history for centuries – it saw some 30 editions up until the 18th century, and was immediately translated into German and French. The rest of the world learnt of Swiss history essentially through Simler's treatise.
Read more about this topic: Historiography Of Switzerland
Famous quotes containing the words early and/or works:
“We have good reason to believe that memories of early childhood do not persist in consciousness because of the absence or fragmentary character of language covering this period. Words serve as fixatives for mental images. . . . Even at the end of the second year of life when word tags exist for a number of objects in the childs life, these words are discrete and do not yet bind together the parts of an experience or organize them in a way that can produce a coherent memory.”
—Selma H. Fraiberg (20th century)
“I divide all literary works into two categories: Those I like and those I dont like. No other criterion exists for me.”
—Anton Pavlovich Chekhov (18601904)