Style
The style of narration is rapid, reflecting the speed of the events. The rhythm of the narration leaves no space to slow down or digress. To write effectively in this style, Tacitus had to summarize much information from his sources. Sometimes he skips parts; more usually he divides the story into single scenes and, in this way, creates a dramatic narration. Tacitus is a master at describing a mass of people. He knows how to portray the mass when it is calm; he knows equally how to show the threat of insurrection and panic-stricken flight.
Tacitus writes from the point of view of an aristocrat. He shows fear, mixed with disdain, for the soldiers' tumult and for the rabble of the capital. He also holds in low esteem those members of the Senate, whose comportment he describes with malice, insisting upon the contrast between their public image and the unconfessable reality: adulation, conspiracy, and ambition. The Historiae is a grim work; it speaks throughout of violence, dishonesty, and injustice.
Tacitus skillfully shows the characters, alternating short and sharp notations with complete portraits. His technique is similar to that of Sallust: incongruency, parataxis, and loose stylistic structure combine to make the characters sharp. The influence of Sallust is clear in the rest of Tacitus's style as well. Tacitus improves on the method, stressing the tension between gravitas, which connects the narrative with the past, and pathos, which makes it dramatic. Tacitus loves ellipsis of verbs and conjunctions. He uses irregular constructs and frequent changes of subject to give variety and movement to the narration. It often happens that when a sentence seems finished, it is extended with a surprising tail that adds a comment, which is usually alluding or indirect.
Read more about this topic: Histories (Tacitus)
Famous quotes containing the word style:
“Carlyle must undoubtedly plead guilty to the charge of mannerism. He not only has his vein, but his peculiar manner of working it. He has a style which can be imitated, and sometimes is an imitator of himself.”
—Henry David Thoreau (1817–1862)
“I shall christen this style the Mandarin, since it is beloved by literary pundits, by those who would make the written word as unlike as possible to the spoken one. It is the style of all those writers whose tendency is to make their language convey more than they mean or more than they feel, it is the style of most artists and all humbugs.”
—Cyril Connolly (1903–1974)
“We are often struck by the force and precision of style to which hard-working men, unpracticed in writing, easily attain when required to make the effort. As if plainness and vigor and sincerity, the ornaments of style, were better learned on the farm and in the workshop than in the schools. The sentences written by such rude hands are nervous and tough, like hardened thongs, the sinews of the deer, or the roots of the pine.”
—Henry David Thoreau (1817–1862)