Singing
The human voice is a biological given, but can be trained in different ways. For example, singers in historically informed performances may aim at a less loud tone, with less vibrato and different use of dynamics, to match the use of different accompanying instruments. A few of the singers who have contributed to the historically informed performance movement are Emma Kirkby, Max van Egmond, Julianne Baird, Nigel Rogers, and David Thomas.
Modern countertenor singing was pioneered by Alfred Deller, and leading contemporary performers include David Daniels, Derek Lee Ragin, Andreas Scholl, Michael Chance, Drew Minter, Daniel Taylor, Brian Asawa, Philippe Jaroussky.
Compositions intended to be sung by castrati present a problem. The 1994 movie Farinelli: Il Castrato, about an 18th-century castrato, used digital effects to create the voice by mixing the sound of a countertenor with that of a soprano singer.
Read more about this topic: Historically Informed Performance
Famous quotes containing the word singing:
“I hear America singing, the varied carols I hear,
Those of mechanics, each one singing his as it should be blithe and
strong,
The carpenter singing his as he measures his plank or beam,
The mason singing his as he makes ready for work, or leaves off
work,”
—Walt Whitman (1819–1892)
“Why, he was met even now
As mad as the vexed sea, singing aloud,
Crowned with rank fumiter and furrow-weeds,
With hardocks, hemlock, nettles, cuckoo-flowers,
Darnel, and all the idle weeds that grow
In our sustaining corn.”
—William Shakespeare (1564–1616)
“I have felt darkness lead me by the hand
Over the hill to greet the singing dawn....”
—Allen Tate (1899–1979)