Singing
The human voice is a biological given, but can be trained in different ways. For example, singers in historically informed performances may aim at a less loud tone, with less vibrato and different use of dynamics, to match the use of different accompanying instruments. A few of the singers who have contributed to the historically informed performance movement are Emma Kirkby, Max van Egmond, Julianne Baird, Nigel Rogers, and David Thomas.
Modern countertenor singing was pioneered by Alfred Deller, and leading contemporary performers include David Daniels, Derek Lee Ragin, Andreas Scholl, Michael Chance, Drew Minter, Daniel Taylor, Brian Asawa, Philippe Jaroussky.
Compositions intended to be sung by castrati present a problem. The 1994 movie Farinelli: Il Castrato, about an 18th-century castrato, used digital effects to create the voice by mixing the sound of a countertenor with that of a soprano singer.
Read more about this topic: Historically Informed Performance
Famous quotes containing the word singing:
“The real exertion in the case of an opera singer lies not so much in her singing as in her acting of a role, for nearly every modern opera makes great dramatic and physical demands.”
—Maria Jeritza (1887–1982)
“Where there’s more of singing and less of sighing,
Where there’s more of giving and less of buying,
And a man makes friends without half trying
That’s where the West begins.”
—Arthur Chapman (1873–1935)
“Meanwhile, the men, with vestiges of pomp,
Race memories of king and caravan,
High-priests, an ostrich, and a juju-man,
Go singing through the footpaths of the swamp.”
—Jean Toomer (1894–1967)