Singing
The human voice is a biological given, but can be trained in different ways. For example, singers in historically informed performances may aim at a less loud tone, with less vibrato and different use of dynamics, to match the use of different accompanying instruments. A few of the singers who have contributed to the historically informed performance movement are Emma Kirkby, Max van Egmond, Julianne Baird, Nigel Rogers, and David Thomas.
Modern countertenor singing was pioneered by Alfred Deller, and leading contemporary performers include David Daniels, Derek Lee Ragin, Andreas Scholl, Michael Chance, Drew Minter, Daniel Taylor, Brian Asawa, Philippe Jaroussky.
Compositions intended to be sung by castrati present a problem. The 1994 movie Farinelli: Il Castrato, about an 18th-century castrato, used digital effects to create the voice by mixing the sound of a countertenor with that of a soprano singer.
Read more about this topic: Historically Informed Performance
Famous quotes containing the word singing:
“And upside down in air were towers
Tolling reminiscent bells, that kept the hours
And voices singing out of empty cisterns and exhausted wells”
—T.S. (Thomas Stearns)
“Why, he was met even now
As mad as the vexed sea, singing aloud,
Crowned with rank fumiter and furrow-weeds,
With hardocks, hemlock, nettles, cuckoo-flowers,
Darnel, and all the idle weeds that grow
In our sustaining corn.”
—William Shakespeare (1564–1616)
“... to a poet, the human community is like the community of birds to a bird, singing to each other. Love is one of the reasons we are singing to one another, love of language itself, love of sound, love of singing itself, and love of the other birds.”
—Sharon Olds (b. 1942)