Performances
Jean-Claude Vannier performed the album live at London's Barbican on October 21, 2006 with guest vocalists Jarvis Cocker, Badly Drawn Boy, Brigitte Fontaine, The Bad Seeds’ Mick Harvey and lead singer from Super Furry Animals, Gruff Rhys. Vannier performed the album in its entirety alongside his own solo album L'Enfant Assassin Des Mouches.
Publicity for the Barbican concert revealed that the musicians used for the album were Dougie Wright, Big Jim Sullivan, Herbie Flowers and Vic Flick who all joined Vannier for the concert. The BBC Concert Orchestra, the Crouch End Festival Chorus and a children’s string quintet were part of the show.
In October 2008 22nd & 23rd Jean-Claude Vannier performed the album live at the Cité de la Musique with guest vocalists Mathieu Amalric, Brigitte Fontaine, Brian Molko (Placebo), Martina Topley Bird, Daniel Darc, Clotilde Hesme, Seaming To. Also performing were Herbie Flowers (bass), Claude Engel (guitar), Pierre-Alain Dahan (drums). Jean Claude Vannier also performed the L'Enfant Assassin Des Mouches. The Lamoureux Orchestra, the Yound Choir of Paris and a children’s string quintet were also part of the show.
On August 28, 2011, Jean-Claude Vannier participated in A Tribute to Serge Gainsbourg at the Hollywood Bowl. The artists that performed Gainsbourg's songs that evening included Beck, Sean Lennon and Charlotte Kemp Muhl, Mike Patton, Zola Jesus, Victoria Legrand (singer of indie band Beach House), Ed Droste (singer of indie band Grizzly Bear) and Serge's son Lulu Gainsbourg. The second half of the evening included a performance of the album with Vannier conducting. Each of the album's songs were performed by different combinations of the evening's artists, backed by the Hollywood Bowl Orchestra and the Cal State Fullerton chorale. American actor Joseph Gordon-Levitt also participated in the album's performance.
Read more about this topic: Histoire De Melody Nelson
Famous quotes containing the word performances:
“This play holds the season’s record [for early closing], thus far, with a run of four evening performances and one matinee. By an odd coincidence it ran just five performances too many.”
—Dorothy Parker (1893–1967)
“At one of the later performances you asked why they called it a “miracle,”
Since nothing ever happened. That, of course, was the miracle
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—John Ashbery (b. 1927)