Series and First Novel Titles
The title of the series, His Dark Materials, comes from seventeenth century poet John Milton's Paradise Lost, Book 2:
Into this wilde Abyss,
The Womb of nature and perhaps her Grave,
Of neither Sea, nor Shore, nor Air, nor Fire,
But all these in their pregnant causes mixt
Confus'dly, and which thus must ever fight,
Unless th' Almighty Maker them ordain
His dark materials to create more Worlds,
Into this wilde Abyss the warie fiend
Stood on the brink of Hell and look'd a while,
Pondering his Voyage; for no narrow frith
He had to cross.
— Book 2, lines 910–920
Pullman earlier proposed to name the series The Golden Compasses, also a reference to Paradise Lost, where they denote God's circle-drawing instrument used to establish and set the bounds of all creation:
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God as architect, wielding the golden compasses, by William Blake (left) and Jesus as Geometer in a 13th century medieval illuminated manuscript of unknown authorship. |
Then staid the fervid wheels, and in his hand
He took the golden compasses, prepared
In God's eternal store, to circumscribe
This universe, and all created things:
One foot he centered, and the other turned
Round through the vast profundity obscure
Due to confusion with the other common meaning of compass (the navigational instrument) this phrase in the singular became the title of the American edition of Northern Lights (the book prominently features a device that one might label a "golden compass"). In The Subtle Knife Pullman rationalizes the first book's American title, The Golden Compass, by having Mary twice refer to Lyra's alethiometer as a "compass" or "compass thing."
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