Temples in West Bengal and Bangaladesh
In West Bengal and Bangaladesh, temple architecture has assumed a unique identity and evolved into the Bengali terra cotta temple architecture. Due to lack of suitable stone in the alluvial Gangetic delta, the temple makers had to resort to other materials instead of stone. This gave rise to using terracotta as a medium for temple construction. Terracotta exteriors with rich carvings are a unique feature of Bengali temples. The town of Vishnupur in West Bengal is renowned for this type of architecture.
Usually a part of the intended total motif was carved by hand on one side of a brick and then baked. While under construction, these carved bricks were arranged to make up the entire motif.
The Bengali style of temple is not luxurious. Rather, most are modeled on simple thatched-roof earthen huts used as dwellings by commoners. This can be attributed to the popularity of bhakti cults which taught people to view gods as close to themselves. Thus, various styles like do-chala, char-chala, and aat-chala sprang up. However, there is also a popular style of building known as Navaratna (nine-towered) or Pancharatna (five-towered) in Bengal which is more luxurious than the Chala buildings. A typical example of Navaratna style is the Dakshineswar Kali Temple.
The Kalighat Temple In kalighat is a near very holy Destination Of Bengalis and the North Indians. It is dedicated to devi Kali. It is built on the traditional Bengali architectural style.
Read more about this topic: Hindu Temple
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“These temples grew as grows the grass;
Art might obey, but not surpass.
The passive Master lent his hand
To the vast soul that o’er him planned.”
—Ralph Waldo Emerson (1803–1882)
“But beauty vanishes; beauty passes;
However rare—rare it be;
And when I crumble, who will remember
This lady of the West Country?”
—Walter De La Mare (1873–1956)
“In Bengal to move at all
Is seldom, if ever, done,
But mad dogs and Englishmen
Go out in the midday sun.”
—Noël Coward (1899–1973)