Hill Street Blues - Gangs in Hill Street Blues

Gangs in Hill Street Blues

Gang culture was a feature in all seven seasons beginning with the first episode. Several storylines related to gang life, and the different approaches to negotiation, in particular by officers such as Furillo, Goldblume, Hunter, and to a lesser extent those of the uniform or plain clothes detective ranks.

Interactions included multiple gang meetings held at the precinct to negotiate "turf" boundaries and truces in exchange for facilitating a presidential visit that did not come to pass or the return of a governor's pet dog. The gang/police meetings more often formed part of the comic rather than the dramatic elements of the series.

Gang interactions mostly centered around the Hispanic gang Los Diablos, and the fraught but productive and increasingly trusting relationship between its leader, Martinez, and Furillo, who even attends Martinez' wedding. Martinez, the only gang character given any extended development, moves through the series from early and relapsing belligerence, to negotiation, to finally renouncing his gang colors and qualifying as a para-legal.

Danny Glover had an early career appearance in the first four episodes of season two as Jesse John Hudson, erstwhile leader of the Black Arrows, whose stated aim to "go straight" turned out to be hypocritical, when he attempted to take back control of the gang.

Read more about this topic:  Hill Street Blues

Famous quotes containing the words gangs, hill, street and/or blues:

    Word’s gane to the kitchen,
    And word’s gane to the ha’,
    That Marie Hamilton gangs wi’ bairn
    To the hichest Stewart of a’.
    Unknown. Mary Hamilton (l. 1–4)

    The fact that Romans once inhabited her reflects no little dignity on Nature herself; that from some particular hill the Roman once looked out on the sea.
    Henry David Thoreau (1817–1862)

    The skyscraper establishes the block, the block creates the street, the street offers itself to man.
    Roland Barthes (1915–1980)

    It is from the blues that all that may be called American music derives its most distinctive character.
    James Weldon Johnson (1871–1938)