Art and Popular Culture
The terminology and its cultural aspects were explored in Dael Orlandersmith's play Yellowman, a 2002 Pulitzer Prize Finalist in drama. The play depicts a dark-skinned girl whose own mother "inadvertently teaches her the pain of rejection and the importance of being accepted by the 'high yellow' boys." One reviewer described the term as having "the inherent, unwieldy power to incite black Americans with such intense divisiveness and fervor" as few others.
The phrase survives in folk songs such as "The Yellow Rose of Texas," which originally referred to Emily West Morgan, a "mulatto" indentured servant apocryphally associated with the Battle of San Jacinto. Blind Willie McTell's song "Lord, Send Me an Angel" has its protagonist forced to choose between three women, described as "Atlanta yellow," "Macon brown," and a "Statesboro blackskin". Bessie Smith's song "I've Got What It Takes", by Clarence Williams, refers to "a slick high yeller" boyfriend who "turned real pale" when she wouldn't wait for him to get out of jail.
As recently as 2004, white R&B singer-songwriter Teena Marie released a song titled "High Yellow Girl," said to be about her daughter Alia Rose, who is biracial. The related phrase "high brown" was used in Irving Berlin's original lyrics for "Puttin' on the Ritz". Rapper Jay-Z refers to his wife, singer Beyoncé Knowles, as "my high yellow broad," in his 2009 song "Off That," from the The Blueprint 3 album.
Read more about this topic: High Yellow
Famous quotes containing the words art and, art, popular and/or culture:
“A primary function of art and thought is to liberate the individual from the tyranny of his culture in the environmental sense and to permit him to stand beyond it in an autonomy of perception and judgment.”
—Lionel Trilling (1905–1975)
“Literary gentlemen, editors, and critics think that they know how to write, because they have studied grammar and rhetoric; but they are egregiously mistaken. The art of composition is as simple as the discharge of a bullet from a rifle, and its masterpieces imply an infinitely greater force behind them.”
—Henry David Thoreau (1817–1862)
“Fifty million Frenchmen can’t be wrong.”
—Anonymous. Popular saying.
Dating from World War I—when it was used by U.S. soldiers—or before, the saying was associated with nightclub hostess Texas Quinan in the 1920s. It was the title of a song recorded by Sophie Tucker in 1927, and of a Cole Porter musical in 1929.
“Here in the U.S., culture is not that delicious panacea which we Europeans consume in a sacramental mental space and which has its own special columns in the newspapers—and in people’s minds. Culture is space, speed, cinema, technology. This culture is authentic, if anything can be said to be authentic.”
—Jean Baudrillard (b. 1929)