Play
The play is named for a summit overlooking the Tappan Zee portion of New York's Hudson River, near where Anderson lived in Rockland County. The story was inspired by the real life controversy over quarrying the palisades along the lower Hudson. The play also shares the plot element of a ghostly crew of Dutch sailors on the Hudson with Washington Irving's short story Rip Van Winkle.
Anderson began writing the play in May 1936. It was first presented on any stage in Cleveland, Ohio, in December 1936, with Burgess Meredith (Anderson's neighbor in Rockland County) and Peggy Ashcroft in the lead roles. The production moved to Broadway ten days later in January 1937, where it played 171 performances. Anderson won the New York Drama Critics Circle Award for the best American play of the 1936–1937 season. The award included this citation:
- In its decision the circle celebrates the advent of the first distinguished fantasy by an American in many years. Imaginative and as comic as it is poetic in both spirit and expression, High Tor is a singular accomplishment, giving rare grace to this theatrical season in New York.
In 1942, Anderson helped organize and served as the chairman of the Rockland County Committee To Save High Tor, which helped raise money to purchase the property in 1943 for the creation of a public park.
Read more about this topic: High Tor
Famous quotes containing the word play:
“What the hell is nostalgia doing in a science-fiction film? With the whole universe and all the future to play in, Lucas took his marvelous toys and crawled under the fringed cloth on the parlor table, back into a nice safe hideyhole, along with Flash Gordon and the Cowardly Lion and Luck Skywalker and the Flying Aces and the Hitler Jugend. If there’s a message there, I don’t think I want to hear it.”
—Ursula K. Le Guin (b. 1929)
“O never give the heart outright,
For they, for all smooth lips can say,
Have given their hearts up to the play.
And who could play it well enough
If deaf and dumb and blind with love?”
—William Butler Yeats (1865–1939)
“Most of our occupations are low comedy.... We must play our part duly, but as the part of a borrowed character. Of the mask and appearance we must not make a real essence, nor of what is foreign what is our very own.”
—Michel de Montaigne (1533–1592)