Songs
All of the songs on High Cumberland Jubilee were written or co-written by Buffett, many with Buzz Cason. "In the Shelter," which originally appeared on this album, was later re-recorded by Buffett, first for 1977's Changes in Latitudes, Changes in Attitudes when it was released as a single, and in 2002 for the greatest hits compilation Meet Me in Margaritaville: The Ultimate Collection making it (with "The Captain and the Kid") one of only two of his songs with three different studio versions. "Livingston's Gone to Texas" was also re-recorded for the 1974 Living & Dying in ¾ Time. The version on High Cumberland Jubilee is played faster without country stylings and contains an extra verse not in the 1974 version.
The folk-rock style of music and lyrics on Down to Earth and High Cumberland Jubilee differ greatly from Buffett's subsequent output. There is less of the country music feel and little of the gulf and western, Key-West-influenced sound and themes that have defined his musical career. Allmusic reviewer William Ruhlmann notes that "this is not the freewheeling Jimmy Buffett of 'Margaritaville,' but rather a thoughtful folk-rock singer/songwriter of the early '70s, earnestly strumming an acoustic guitar over a rhythm section and singing lyrics of social consciousness with sly references to drugs."
There were no singles released from the album.
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Famous quotes containing the word songs:
“We can never see Christianity from the catechism:Mfrom the pastures, from a boat in the pond, from amidst the songs of wood- birds we possibly may.”
—Ralph Waldo Emerson (1803–1882)
“What wondrous love is this
That caused the Lord of bliss
To bear the dreadful curse for my soul”
—Unknown. “What Wondrous Love is this!” L. 3-5, Dupuy’s Hymns and Spiritual Songs (1811)
“When we were at school we were taught to sing the songs of the Europeans. How many of us were taught the songs of the Wanyamwezi or of the Wahehe? Many of us have learnt to dance the rumba, or the cha cha, to rock and roll and to twist and even to dance the waltz and foxtrot. But how many of us can dance, or have even heard of the gombe sugu, the mangala, nyang’umumi, kiduo, or lele mama?”
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