Feminist Attitudes Towards High Heels
The high heel has been a central battleground of sexual politics ever since the emergence of the women's liberation movement of the 1970s. Many second-wave feminists rejected what they regarded as constricting standards of female beauty, created for the subordination and objectifying of women and self-perpetuated by reproductive competition and women's own aesthetics. Some feminists argue that the high heels were designed to make women helpless and vulnerable, perpetuating the gender role of males as protectors of the slowly staggering women. High heels have also been blamed for reducing the woman to a sex object by sacrificing practical comfort in favour of an alleged increase in sex appeal. Some second-wave feminists, such as Judy Grahn, have tied high heels to menstruation rituals that various cultures have used.
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Famous quotes containing the words feminist, attitudes, high and/or heels:
“I’m not suggesting that all men are beautiful, vulnerable boys, but we all started out that way. What happened to us? How did we become monsters of feminist nightmares? The answer, of course, is that we underwent a careful and deliberate process of gender training, sometimes brutal, always dehumanizing, cutting away large chunks of ourselves. Little girls went through something similarly crippling. If the gender training was successful, we each ended up being half a person.”
—Frank Pittman (20th century)
“The protection of a ten-year-old girl from her father’s advances is a necessary condition of social order, but the protection of the father from temptation is a necessary condition of his continued social adjustment. The protections that are built up in the child against desire for the parent become the essential counterpart to the attitudes in the parent that protect the child.”
—Margaret Mead (1901–1978)
“For thou, O Spring! canst renovate
All that high God did first create.
Be still his arm and architect,
Rebuild the ruin, mend defect.”
—Ralph Waldo Emerson (1803–1882)
“I have a little shadow that goes in and out with me,
And what can be the use of him is more than I can see.
He is very, very like me from the heels up to the head;
And I see him jump before me, when I jump into my bed.”
—Robert Louis Stevenson (1850–1894)