High-definition Pre-recorded Media And Compression
The first attempt at producing pre-recorded HDTV media was a scarce Japanese analog MUSE-encoded laser disc which is no longer produced. See MUSE-LD.
In the U.S. market, the first currently available prerecorded HD media was D-Theater. Comprising less than 100 titles and utilizing a 28-Mbit/s MPEG2 stream at 720p or 1080i with either Dolby Digital 5.1 or DTS encoding, D-Theater is an encrypted D-VHS format, and only D-Theater-capable D-VHS players can play back these tapes. This format is superior to broadcast HDTV due to its higher bandwidth and, of course, the ability to do non-realtime optimization of the encoding, which is not possible with broadcast HDTV. D-Theater is currently a small niche market even within the niche HDTV community, and it appears as if the final D-Theater title was published in 2005 with 20th Century Fox release of i,Robot.
In 2006, the first pre-recorded digital optical HDTV media were introduced. There were two competing standards, Blu-ray Disc and HD DVD. The first HD DVD players and discs were released on April 18, 2006 in the United States. Blu-ray Disc was released on June 20, 2006.
Read more about High-definition Pre-recorded Media And Compression: HD DVD and Blu-ray, Compression Codecs, Broadcasters
Famous quotes containing the words media and/or compression:
“One can describe a landscape in many different words and sentences, but one would not normally cut up a picture of a landscape and rearrange it in different patterns in order to describe it in different ways. Because a photograph is not composed of discrete units strung out in a linear row of meaningful pieces, we do not understand it by looking at one element after another in a set sequence. The photograph is understood in one act of seeing; it is perceived in a gestalt.”
—Joshua Meyrowitz, U.S. educator, media critic. “The Blurring of Public and Private Behaviors,” No Sense of Place: The Impact of Electronic Media on Social Behavior, Oxford University Press (1985)
“The triumphs of peace have been in some proximity to war. Whilst the hand was still familiar with the sword-hilt, whilst the habits of the camp were still visible in the port and complexion of the gentleman, his intellectual power culminated; the compression and tension of these stern conditions is a training for the finest and softest arts, and can rarely be compensated in tranquil times, except by some analogous vigor drawn from occupations as hardy as war.”
—Ralph Waldo Emerson (1803–1882)