Origins
The book comments:"It must be a little dog that laugh'd, for a great dog would be ashamed to laugh at such nonsense." There is a reference in Thomas Preston's A lamentable tragedy mixed ful of pleasant mirth, conteyning the life of Cambises King of Percia, printed in 1569 that may refer to the rhyme:
They be at hand Sir with stick and fidle;
They can play a new dance called hey-didle-didle.
There are numerous theories about the origin of the rhyme, these include: James Orchard Halliwell's suggestion that it was a corruption of ancient Greek, probably advanced as a result of a deliberate hoax; that it was connected with Hathor worship; that it refers to various constellations (Taurus, Canis minor, the Big Dipper etc.); that it describes the Flight from Egypt; that it depicts Elizabeth, Lady Katherine Grey, and her relationships with the earls of Hertford and Leicester; that it deals with anti-clerical feeling over injunctions by Catholic priests for harder work; that it describes Katherine of Aragon (Katherine la Fidèle); Catherine, the wife of Peter the Great; Canton de Fidèle, a supposed governor of Calais and the game of cat (trap-ball). This profusion of unsupported explanations was satirised by J.R.R. Tolkien in his fictional explanations of 'The Man in the Moon Stayed Up Too Late'. Most scholarly commentators consider these unproven and that the verse is probably meant to be simply nonsense. The melody commonly associated with the rhyme was first recorded by the composer and nursery rhyme collector James William Elliott in his National Nursery Rhymes and Nursery Songs (1870).
Read more about this topic: Hey Diddle Diddle
Famous quotes containing the word origins:
“Grown onto every inch of plate, except
Where the hinges let it move, were living things,
Barnacles, mussels, water weeds—and one
Blue bit of polished glass, glued there by time:
The origins of art.”
—Howard Moss (b. 1922)
“Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)
“Lucretius
Sings his great theory of natural origins and of wise conduct; Plato
smiling carves dreams, bright cells
Of incorruptible wax to hive the Greek honey.”
—Robinson Jeffers (1887–1962)