Hey Baby (No Doubt Song) - Music and Structure

Music and Structure

"Hey Baby" is a ragga song composed in the key of E minor. It is written in common time and moves at a moderate tempo of 90 beats per minute. The song focuses on programming and lacks live instrumentation. As a result, the band needed four keyboard rigs to recreate the track's sound for live performances, including a Roland AX-1 and an E-mu Proteus 2000. Stefani's vocal range spans over two octaves in the song, from D3 to E5.

The song opens with an introduction consisting of a sustained measure of electronic effects followed by two lines from the chorus. In each two-measure line during the first half of the verses, Stefani descends the scale while the keyboard plays the off-beats of the first measure and the electric bass opens the line with a two-note bassline. During the second half of the verses, Stefani's vocals are overdubbed, and the instrumentation becomes more frequent. Each of the two verses is followed by the chorus, where overdubbing is used on Stefani's vocals to produce first inversion and normal form E minor chords. Bounty Killer then toasts the bridge, and after a brief section sung by Stefani, the song closes by repeating the chorus twice.

Read more about this topic:  Hey Baby (No Doubt Song)

Famous quotes containing the words music and, music and/or structure:

    And in the next instant, immediately behind them, Victor saw his former wife.
    At once he lowered his gaze, automatically tapping his cigarette to dislodge the ash that had not yet had time to form. From somewhere low down his heart rose like a fist to deliver an uppercut, drew back, struck again, then went into a fast disorderly throb, contradicting the music and drowning it.
    Vladimir Nabokov (1899–1977)

    I fear I agree with your friend in not liking all sermons. Some of them, one has to confess, are rubbish: but then I release my attention from the preacher, and go ahead in any line of thought he may have started: and his after-eloquence acts as a kind of accompaniment—like music while one is reading poetry, which often, to me, adds to the effect.
    Lewis Carroll [Charles Lutwidge Dodgson] (1832–1898)

    Vashtar: So it’s finished. A structure to house one man and the greatest treasure of all time.
    Senta: And a structure that will last for all time.
    Vashtar: Only history will tell that.
    Senta: Sire, will he not be remembered?
    Vashtar: Yes, he’ll be remembered. The pyramid’ll keep his memory alive. In that he built better than he knew.
    William Faulkner (1897–1962)