Popularity
Feyenoord can be called a popular club because they always attract huge amounts of fans. The club's fans excel in European Cup matches played abroad where thousands of fan travel to support their team. Exact numbers on which clubs attract the most fans abroad are not available, but it's known this is a high rate compared to most other European clubs.
In 1963, about 3000 fans boarded on two ships, among thousands of others by train or car and they travelled to Lisbon where Feyenoord faced Benfica in the European Cup. When Feyenoord plays abroad in European Cup about 8000 travel together to support their team. Almost 15,000 fans were cheering for their team in 1996 when Feyenoord played in Germany versus Borussia Mönchengladbach. About 40,000 fans visit a regular match at home while top classes versus Ajax, PSV and European Cup opponents are sold out most of the time. About 250,000 fans showed up when Feyenoord's latest Dutch championship was celebrated in 1999 at the Coolsingel in the center of the city. After Feyenoord beat Internazionale in the 2002 UEFA Cup semi final, Inter midfielder Clarence Seedorf said: "I really enjoyed the atmosphere in De Kuip. As an ex-Ajax player I was really given the bird, but that’s all part of the emotions in football. It also illustrates the intense way in which the Feyenoord supporters experience their club’s matches."
Beyond the Netherlands, Feyenoord opened a fanshop in the center of Tokyo, Japan when Japanese player Shinji Ono was a key player at the club, and also in South Korea when Song Chong-Gug played for Feyenoord.
Read more about this topic: Het Legioen
Famous quotes containing the word popularity:
“The nation looked upon him as a deserter, and he shrunk into insignificancy and an earldom.... He was fixed in the house of lords, that hospital of incurables, and his retreat to popularity was cut off; for the confidence of the public, when once great and once lost, is never to be regained.”
—Philip Dormer Stanhope, 4th Earl Chesterfield (1694–1773)
“A more problematic example is the parallel between the increasingly abstract and insubstantial picture of the physical universe which modern physics has given us and the popularity of abstract and non-representational forms of art and poetry. In each case the representation of reality is increasingly removed from the picture which is immediately presented to us by our senses.”
—Harvey Brooks (b. 1915)
“The popularity of that baby-faced boy, who possessed not even the elements of a good actor, was a hallucination in the public mind, and a disgrace to our theatrical history.”
—Thomas Campbell (1777–1844)