Herman J. Mankiewicz - Writing Filmography

Writing Filmography

He was involved with the following films:

  • Lux Video Theatre (TV series) — Writer (1 episode, 1955)
  • The Enchanted Cottage (1955) — Writer (original screenplay)
  • The Pride of St. Louis (1952) — Writer (writer)
  • A Woman's Secret (1949) — Writer (screenplay), producer
  • The Spanish Main (1945) — Writer (screenplay)
  • The Enchanted Cottage (1945) — Writer (writer)
  • Christmas Holiday (1944) — Writer (writer)
  • The Good Fellows (1943) — Writer (play)
  • Stand by for Action (1942) — Writer (screenplay)
  • The Pride of the Yankees (1942) — Writer (screenplay)
  • This Time for Keeps (1942) — Writer (characters)
  • Rise and Shine (1941) — Writer (screenplay)
  • Citizen Kane (1941) — Writer (screenplay), Newspaperman (uncredited)
  • The Wild Man of Borneo (1941) — Writer (play)
  • Keeping Company (1940) — Writer (story)
  • Comrade X (1940) — Writer (uncredited)
  • The Ghost Comes Home (1940) — Writer (contributing writer)
  • The Wizard of Oz (1939) — Writer (uncredited)
  • It's a Wonderful World (1939) — Writer (story)
  • My Dear Miss Aldrich (1937) — Writer (original story and screenplay)
  • The Emperor's Candlesticks (1937) — contributor to dialogue (uncredited)
  • John Meade's Woman (1937) — Writer (writer)
  • Love in Exile (1936) — Writer (writer)
  • The Show Goes On (1936) — Writer (writer)
  • Escapade (1935) — Writer (writer)
  • After Office Hours (1935) — Writer (writer)
  • Stamboul Quest (1934) — Writer (screenplay)
  • The Show-Off (1934) — Writer (writer)
  • Duck Soup (1933) — producer (uncredited)
  • Meet the Baron (1933) — Writer (writer)
  • Dinner at Eight (1933) — Writer (screenplay)
  • Another Language (1933) — Writer (writer)
  • Horse Feathers (1932) — producer (uncredited)
  • Million Dollar Legs (1932) — producer
  • Girl Crazy (1932) — Writer (writer)
  • Dancers in the Dark (1932) — Writer (writer)
  • The Lost Squadron (1932) — Writer (additional dialogue)
  • Monkey Business (1931) — producer (uncredited)
  • Ladies' Man (1931) — Writer (writer)
  • Man of the World (1931) — Writer (screenplay) (story)
  • Jede Frau hat etwas (1931) — Writer (adaptation)
  • The Front Page (1931) — Bit (uncredited)
  • Salga de la cocina (1931) — Writer (adaptation)
  • The Royal Family of Broadway (1930) — Writer (adaptation)
  • Laughter (1930) — Writer (writer)
  • Love Among the Millionaires (1930) — Writer (dialogue)
  • True to the Navy (1930) — Writer (dialogue)
  • Ladies Love Brutes (1930) — Writer (screenplay)
  • Honey (1930) — Writer (scenario) (titles)
  • Men Are Like That (1930) — Writer (adaptation)
  • The Vagabond King (1930) — Writer (screenplay) (story)
  • The Mighty (1929) — Writer (titles)
  • Thunderbolt (1929) — Writer (writer)
  • The Man I Love (1929) — Writer (story)
  • The Dummy (1929) — Writer (writer)
  • The Canary Murder Case (1929) — Writer (titles)
  • The Love Doctor (1929) — Writer (titles)
  • What a Night! (1928) — Writer (titles)
  • Three Weekends (1928) — Writer (titles)
  • Gentlemen Prefer Blondes (1928) — Writer (titles)
  • The Barker (1928) — Writer (titles)
  • Avalanche (1928) — Writer (screenplay) (titles)
  • Take Me Home (1928) — Writer (titles)
  • The Water Hole (1928) — Writer (titles)
  • The Mating Call (1928) — Writer (titles), Newspaperman (uncredited)
  • The Magnificent Flirt (1928) — Writer (titles)
  • The Dragnet (1928) — Writer (titles)
  • His Tiger Wife (1928) — Writer (titles)
  • Abie's Irish Rose (1928) — Writer (titles)
  • A Night of Mystery (1928/I) — Writer (titles)
  • Something Always Happens (1928) — Writer (titles)
  • The Last Command (1928) — Writer (titles)
  • Love and Learn (1928) — Writer (titles)
  • Two Flaming Youths (1927) — Writer (titles)
  • The Gay Defender (1927) — Writer (titles)
  • Honeymoon Hate (1927) — Writer (titles)
  • The City Gone Wild (1927) — Writer (titles)
  • Fashions for Women (1927) — Writer (writer)
  • Stranded in Paris (1926) — Writer (adaptation)

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    Good writing is a kind of skating which carries off the performer where he would not go, and is only right admirable when to all its beauty and speed a subserviency to the will, like that of walking, is added.
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