Further Reading
- Chung, Immin. 2003. Mathematical and Architectural Concepts Manifested in Iannis Xenakis's Piano Music, dissertation, University of Texas.
- Harley, James. 2004. Xenakis: His Life in Music, Routledge. ISBN 0-415-97145-4
- Hill, Peter. 1975. Xenakis and the Performer, Tempo 112 (1975), 17–22.
- Montague, Eugene. 1995. The Limits of Logic: Structure and Aesthetics in Xenakis's "Herma", M.A. thesis, University of Massachusetts. Study based on the thesis available online.
- Sevrette, Daniel. 1973. Étude statistique sur Herma. Dissertation, Schola Cantorum. (French)
- Solomos, Makis. A propos des premières oeuvres (1953–69) de I. Xenakis. Thesis, University of Paris. (French)
- Squibbs, Ron. 1996. An Analytical Approach to the Music of Iannis Xenakis. Dissertation, Yale University. Available online.
- Sward, Rosalie. 1981. An Examination of the Mathematical Systems used in Selected Compositions of Milton Babbitt and Iannis Xenakis. Dissertation, Northwestern University.
- Wannamaker, Robert. 2001. Structure and Perception in Herma by Iannis Xenakis. Music Theory Online, 7/3. (Available online.)
Read more about this topic: Herma (Xenakis)
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