Plot
In the telenovela, Miranda San Llorente is a modern, practical young woman who seems to have it all: beauty, money and class. Her father (millionaire Gonzalo San Llorente) puts all his faith in her because of his three daughters, she is the one who looks and acts most like him. Florencia (her older sister) has a fatal heart disease; her youngest sister Renata is an immature, capricious adolescent.
Miranda is planning her wedding to her fiancé, Fabricio Beltrán, when he returns from Germany after finishing his doctoral degree. However, she does not realize that Fabricio is returning to marry not her, but her sister Florencia. Bertha de Aragón (Miranda’s maternal aunt) ensured that love arose between Fabricio and Florencia to spite Miranda (whom she has never been able to control and who is immune to Bertha's false charm). Bertha also sees in Miranda the woman she hates the most: her own sister, Fernanda de Aragón.
Fabricio returns from Germany with his friend Alejandro Luque, who wishes to avenge himself on Gonzalo (who he believes murdered his father). When Alejandro gets to know Miranda, love awakens in him for the first time; this conflicts with his desire for revenge. Miranda is also attracted to him; this leads to a bittersweet, love-hate relationship which will hurt them both. The businesses of Gonzalo's businesses failed due to mismanagement by Caesar (Fabricio's brother and Bertha's accomplice. Gonzalo is sent to prison; Miranda must recover not only the family fortune, but also her family (including her mother, who has left because of Bertha's intrigues. In addition, Miranda and Alejandro must overcome obstacles on their path placed by Caesar (who loves Miranda) and Bertha (who falls in love with Alejandro at first sight).
Read more about this topic: Heridas De Amor
Famous quotes containing the word plot:
“The plot was most interesting. It belonged to no particular age, people, or country, and was perhaps the more delightful on that account, as nobody’s previous information could afford the remotest glimmering of what would ever come of it.”
—Charles Dickens (1812–1870)
“The westward march has stopped, upon the final plains of the Pacific; and now the plot thickens ... with the change, the pause, the settlement, our people draw into closer groups, stand face to face, to know each other and be known.”
—Woodrow Wilson (1856–1924)
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)